Louis Comfort Tiffany (1848-1933), whose name is synonymous with brilliantly colored stained glass, with Art Nouveau and with the Gilded Age, is one of the masters of American decorative arts. His research in the chemistry of glass enabled him to produce the famed Favrile iridescent glassware. He collaborated with the jewelers at Tiffany & Company, his father's renowned store, to create precious objets d'art, and he created unique and lavish architectural projects. This new volume in the Abrams Library of American Art examines Tiffany's life and career, from his beginnings as a painter influenced by the Hudson River School to his spectacular and innovative designs for the homes of America's magnates and luminaries (including Mark Twain's house in Connecticut). Alastair Duncan, a leading authority on Tiffany, presents the artist in context. In an illuminating essay and in commentaries on the artworks, he explores the artist's background and upbringing in the world of upper-class New York society, his decision to become a painter, his fascination with the sinuous natural forms of Art Nouveau, and his relationship with the other leading artists and designers of his era. Tiffany's ecclesiastical and secular windows are examined in depth and pictured in lush color, as are many of his most elaborate and beautiful lampshades, vases, and smaller objects. Important works in private collections, rarely or never before pictured, are reproduced here. Tiffany's achievement was immense and far-reaching. He was the first to propose nonreligious subject matter for church windows, the first to mass-produce finely made glassware and leaded glass for the general public. In many ways Tiffany exemplifiedthe bold, experimental creative style of America in the Gilded Age. With its fine reproduction and detailed commentary, this volume fully reveals Tiffany the artist. It is enhanced by a chronology, selected bibliography, and full index.
Ray reveals these quixotic spaces through constructed drawings, collaged photographs, and insightful text.
Douglas Johnson: Southwest Traditions and Modern Icons
This is the first volume to showcase the Crawford House; it is emblematic of the dynamic interplay between art, architecture, and representation that characterizes Morphosis' work. -- from back cover.
Looks at the development of an active relationship between the public and ruins as to how they can be preserved and used.
This book examines the role and utilization of workplace 'space': how it is organized; how it can reflect organisational values; how it can affect employee identities; and the many ways in which the physical environment can influence and ...
The seventh edition of Simplified Design of Steel Structures is an excellent reference for architects and engineers who need information about the common uses of steel for the structures of buildings.
... previous experience in park design was gained through working under John Nash on the Regent's Park ( 1811 - c . 1828 ) . ... the La Follette legislation regulating grazing , preservation of the Appalachian watersheds , the Palisades ...
Warwickshire
... we owe thanks to Mr. and Mrs. Harry W. Anderson ; Ed Cauduro ; Douglas S. Cramer and the Douglas S. Cramer ... and Kate Keller , the Museum's Chief Fine Arts Photographer For the organization of the exhibition itself ( as well as ...
The bond Colorado. of the concrete to the thin brick is dependent on a mechanical key provided by dovetailed slots in the thin brick as well as the balance between the initial rate of absorption of the brick and the cement-to-water ...