Few American artists are as enduringly popular as Frederic Remington (1861-1909). His bronzes and paintings of the American West have become iconic images, shaping the way Americans view the history of the West. This generously illustrated volume is the first to examine the exceptional collection of his works housed at the Frederic Remington Art Museum in Ogdensburg, New York. In his richly detailed portrait of the artist, Western art scholar Brian W. Dippie traces Remington's life and artistic development. Drawing extensively on Remington's letters, diaries, and other archival materials, Dippie explores some 100 of the most important works in the collection in the context of prevailing social, cultural, and political attitudes -- including the ethnic and racial stereotypes for which Remington's work is sometimes criticized today. An important addition to the Remington literature, this handsome volume highlights Remington's impressive range and underscores his achievements as an illustrator, sculptor, and painter.
" "This illustrated volume features a biography by noted Western art scholar Brian W. Dippie.
Traces the life and career of the American artist and illustrator famous for his scenes of nineteenth-century Western life. -- Amazon.com.
Frederic Remington was the greatest artist of the American West. Here, masterworks that span the artist's entire career, including selections from his letters, diaries, and fiction, provide a comprehensive look...
A detailed study of the twenty-two sculptures created by Remington, contrasting authentic lifetime castings with fraudulent examples.
Beautifully illustrated with more than 150 figures and 100 color plates, this book offers insightful essays by notable art historians who explore Remington’s experiences in Taos, New Mexico, and other parts of the West.
Enjoy the beauty and variety of the American experience through the work of these great artists. With stunning full-color plates, additional black-and-white illustrations, and concise, authoritative text, these unique, beautifully...
Remington became interested in the American Indian, probably because he became interested in the active, exciting life of the American Great Plains.
Ward's sculpture also relies on a marble by the English artistJohn Gibson, The Hunter and His Dog (1847; ... Ward might not have seen Gibson's thenrenowned work in person, but it was prominently reproduced in line engravings.
Paintings, drawing and sculpture in the Amon Carter Museum and the Sid W. Richardson Foundation Collection.
From reviews of the first edition: "Richly illustrated . . . this handsome volume presents the rugged beauty and rowdy spirit of life on the frontier, as captured by two master painters." —Art Gallery International ". . . large color ...