In his clear and often exciting narrative, Professor German Hafner analyzes twelve centuries of brilliant creative endeavor and traces the intricate pattern of cultural and artistic relationships between the various regions of Italy, Greece, and the lands of the Orient. To an Italy that was a welter of small tribes and cities struggling for supremacy, Greek settlers early brought their culture. They created ceramics, statues, paintings, and buildings worthy of the highest achievements of their homeland before lapsing into barbarism as the Romans embarked on their long climb to world rule. The Romans absorbed the cultural elements of the peoples the conquered -- especially of the Greeks, and not least the Etruscans -- until step by step Italy came to form a single artistic unit with its center at Rome. The standard of what we now regard as distinctively Roman art spread throughout the Empire. Beautifully illustrated in this book are the dancers, wrestlers, warriors, horsemen, centaurs, gods, goddesses, and other themes that, throughout Antiquity, moved the peoples of the Mediterranean lands to the heights of artistic achievement. -- From publisher's description.
(6.3 cm) Rogers Fund, 1906 (o6.1072) and Lent by the Museum of Fine Arts, Boston (L.1974.44) Marble lamps with relief decoration are rare. The nozzles at the center and in each of the three projections would have contained wicks.
The Art of Ancient Greece and Rome, from the Rise of Greece to the Fall of Rome
Roncalli, F., “La definizione pittorica dello spazio tombale nella 'età della crisi',” Crise et transformation des sociétés archaiques de l'Italie antique au Ve siècle av. I. C., Actes de la table ronde, Rome, 1987 (Rome, 1990), p.
The first part of this publication consists of six thematic essays on the art and culture of Magna Graecia and Sicily.
The Roman Spirit in Religion, Thought, and Art
The Following Group of Etruscan Gems are Gift of John Taylor Johnston, 1881 7.77a, b Two scarabs A: 81.6.13: 4th century B.C., carnelian, length: 7/8 in. (2.2 cm); B: 81.6.2: early 4th century B.c.(3), carnelian, length: I' 16 in.
Oxford Monographs on Classical Archaeology 15. Turfa, J. M., Catalogue of the Etruscan Gallery of the University of Pennsylvania Museum of Archaeology and Anthropology (Philadelphia 2005). Van Buren, A. W., “American Academy in Rome.
Heavily illustrated with ancient Etruscan art and cultural objects, the text is organized both chronologically and thematically, interweaving archaeological evidence, analysis of social structure, descriptions of trade and burial customs, ...
42; Walter Stephens, “When Pope Noah Ruled the Etruscans: Annius of Viterbo and His Forged 'Antiquities,”' Modern Language Notes 119 (2004), suppl., pp. 201-23. 4. Annio da Viterbo, quoted in Tones, Fake7, p. 64. 5.
This handbook has two purposes: it is intended (1) as a handbook of Etruscology or Etruscan Studies, offering a state-of-the-art and comprehensive overview of the history of the discipline and its development, and (2) it serves as an ...