"Color, as a means of expression, has been part of human history since handprints were first painted on cave walls. But in order to make the shades they had imagined, people had to unearth pigments and dyes often hidden deep within plants, minerals, mollusks, insects, and other natural elements. They developed complicated, dangerous, and sometimes even revolting techniques in order to achieve deep reds, luminous yellows, and the most beautiful blues. Archaeologist and ethnologist Anne Varichon takes the reader on a fascinating journey that examines not only the variety and use of natural colorants -- and how to reproduce them today -- but also their symbolism and mythology. From Confucian China to medieval Europe, from the Papuans to the Inuit, she travels across the centuries and around the world in this absorbing, and often surprising, cultural history of the sources and meanings of color." - product description.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei