Maldoror is a long narrative prose poem which celebrates the principle of Evil in an elaborate style and with a passion akin to religions fanaticism. The French poet-critic Georges Hugnet has written of Lautréamont: "He terrifies, stupefies, strikes dumb. He could look squarely at that which others had merely given a passing glance." When first published in 1868-69, Maldoror went almost unnoticed. But in the 1890s the book was rediscovered and hailed as a work of genius by such eminent writers as Huysmans, Léon Block, Maeterlinck, and Rémy de Gourmont. Later still, Lautréamont was to be canonized as one of their principal "ancestors" by the Paris surrealists. This edition, translated by Guy Wernham, includes also a long introduction to a never-written, or now lost, volume of poetry. Thus, except for a few letters, it gives all the surviving literary work of Lautréamont.
Elements of 'Maldoror' have since mitigated against a widespread awareness of the work, but much of its satire remains just as pertinent today.
Many of the surrealists in the early 1900s cited the novel as a major inspiration to their own works and Les Chants de Maldoror, and its protagonist Maldoror, have continued to fascinate people since its publication.
Williams College Museum of Art ; Boston : Museum of Fine Arts , 1984 . Archer , David , et al . British Printmakers 1855-1955 : A Century of Printmaking from the Etching Revival to St. Ives . Wiltshire , Eng .: Garton & Co. in ...
Le Comte de Lautréamont was the nom de plume of Isidore Ducasse (1846–70), a Uruguayan-born French writer and poet whose only surviving major work of fiction, Les Chants de Maldoror, was discovered by the Surrealists, who hailed the work ...
Fils de diplomate français François Ducasse, affecté au consulat général de France à Montevideo, Isidore est né à Montevideo en 1846 pendant la Grande Guerre se terminerait en 1851.
This essay, illustrated with artwork from every era, was developed out of ideas explored in Erotism: Death and Sexuality and Prehistoric Painting: Lascaux or the Birth of Art.
In Lautréamont, Subject to Interpretation, Andrea S. Thomas carefully explores these editions of this so-called poète maudit to show how impassioned readers can shape not only the reception of works, but the works themselves.
Told in Polari, it is the story of an anarchist named Raymond Novak and his plan to commit a 'fantabulosa crime' in 276 days that will revolt the world.
This is a reproduction of a book published before 1923.
"... presents a comparative study of two of Dali's most celebrated portfolios, his book illustrations for the Comte de Lautréamont's Les chants de Maldoror (1868-69) and Dante Alighieri's The divine comedy (c. 1308-20)."--Foreword.