The fabulous beauty of Helen of Troy is legendary. But some say that Helen was never in Troy, that she had been conveyed by Zeus to Egypt, and that Greeks and Trojans alike fought for an illusion. A fifty-line fragment by the poet Stesichorus of Sicily (c. 640-555 B.C.), what survives of his Pallinode, tells us almost all we know of this other Helen, and from it H. D. wove her book-length poem. Yet Helen in Egypt is not a simple retelling of the Egyptian legend but a recreation of the many myths surrounding Helen, Paris, Achilles, Theseus, and other figures of Greek tradition, fused with the mysteries of Egyptian hermeticism.
“H. D's wit, sense of rhythm, and control of language prove the inadequacy of the imagist label that is so often applied to this writer.” —Library Journal This autobiographical novel, an interior self-portrait of the poet H. D. (1886 ...
Helen in Egypt, and Other Plays
Following her drowning, Natalia's manuscripts, a kind of experimental diary, are delivered to a publisher friend, and they provide the details which lay bare the often painful story. Publisher's note.
protective, ancestral daimones of local cults. Why should we assume that the heroes were heroized from humans to demigods and daimones, but that Helen was heroized in reverse, from goddess to virtual goddess to human?
This late collection, written in the last years of H.D.'s life, is a testament to the fine ear and mythic sense of a poet who is now recognized as one of the greatest of her generation.
father Tyndareus, by stealing Helen he abused something far more important than a woman. Herodotus is keen to emphasise that his research is cuttingedge and Dio Chrysostom overtly sells an anti-Homer line, endeavouring to prove that the ...
"The story of Helen of Troy has its origins in ancient Greek epic and didactic poetry, more than 2500 years ago, but it remains one of the world's most galvanizing myths about the destructive power of beauty.
These two long stories by modernist master H.D. paint the wreckage of post-World War I Europe--both human and civilizational--in bright, vivid detail.
Hilda Doolittle's portrait of Ezra Pound is based upon their brief romance and deep and lasting friendship which began in 1905 when they were both college students