A wonderful collection of never-before-collected one-acts: “The peak of my virtuosity was in the one- act plays. Some of which are like firecrackers in a rope” (Tennessee Williams).
Thirteen previously unpublished short plays now available for the first time.
"Collected here for the first time, these twelve plays embrace what Time magazine called "the four major concerns of Williams' dramatic imagination: loneliness, love, the violated heart and the valiancy of survival"--Back cover.
The thirteen one-act plays collected in this volume include some of Tennessee Williams's finest and most powerful work.
Even the play thought to be his last—dated “January 1983” by the author—is a oneact, The One Exception, recently collected for the first time in The Traveling Companion and Other Plays, 2008. Now, with the publication of the fifteen ...
Volume III of the series includes Cat on a Hot Tin Roof (1955), Orpheus Descending (1957), and Suddenly Last Summer (1958).
A crucible of so many elements that would later shape and characterize Williams's work.--World Literature Today
"I yearned for a bad influence and boy, was Tennessee one in the best sense of the word: joyous, alarming, sexually confusing and dangerously funny."—John Waters “I cannot write any sort of story,” said Tennessee [to Gore Vidal] ...
This book is William's symbol for the military-industrial complex and all the dehumanizing trends it represents from mindless cocktail party chatter to bribery of officials to assassination plots directed against those who won't play the ...
The very title of Sweet Bird of Youth is one of ironic pity.
When Tennessee Williams died in the winter of 1983 he left among his voluminous papers the texts of four screenplays none of which had been made into or was even being considered for a film at that time.