A wonderful collection of never-before-collected one-acts: “The peak of my virtuosity was in the one- act plays. Some of which are like firecrackers in a rope” (Tennessee Williams). Here are portraits of American life during the Great Depression and after, populated by a hopelessly hopeful chorus girl, a munitions manufacturer ensnared in a love triangle, a rural family that deals “justice” on its children, an overconfident mob dandy, a poor couple who quarrel to vanquish despair, a young “spinster” enthralled by the impulse of rebellion, and, in “The Magic Tower,” a passionate artist and his wife whose youth and optimism are not enough to protect their “dream marriage.” This new volume gathers some of Williams’s most exuberant early work and includes one-acts that he would later expand to powerful full-length dramas: “The Pretty Trap,” a cheerful take on The Glass Menagerie, and “Interior: Panic,” a stunning precursor to A Streetcar Named Desire. The plays include: • At Liberty • The Magic Tower • Me, Vashya • Curtains for the Gentleman • In Our Profession • Every Twenty Minutes • Honor the Living • The Case of the Crushed Petunias • Moony’s Kid Don’t Cry • The Dark Room • The Pretty Trap • Interior: Panic • Kingdom of Earth • I Never Get Dressed Till After Dark on Sundays • Some Problems for The Moose Lodge
Thirteen previously unpublished short plays now available for the first time.
"Collected here for the first time, these twelve plays embrace what Time magazine called "the four major concerns of Williams' dramatic imagination: loneliness, love, the violated heart and the valiancy of survival"--Back cover.
Volume III of the series includes Cat on a Hot Tin Roof (1955), Orpheus Descending (1957), and Suddenly Last Summer (1958).
This volume is edited, with an introduction and notes, by the editor, acting teacher, and theater scholar Thomas Keith.
' This collection gathers some of Williams's most exuberant early work and includes one-acts that he would later expand to powerful full-length dramas: 'The Pretty Trap,' a cheerful take on The Glass Menagerie, and 'Interior: Panic,' a ...
The thirteen one-act plays collected in this volume include some of Tennessee Williams's finest and most powerful work.
A crucible of so many elements that would later shape and characterize Williams's work.--World Literature Today
"I yearned for a bad influence and boy, was Tennessee one in the best sense of the word: joyous, alarming, sexually confusing and dangerously funny."—John Waters “I cannot write any sort of story,” said Tennessee [to Gore Vidal] ...
Never produced until this year (1998), NOT ABOUT NIGHTINGALES (1938), portrays a shocking prison scandal in which convicts leading a hunger strike in prison were locked in a steam-heated cell and roasted to death.
This book is William's symbol for the military-industrial complex and all the dehumanizing trends it represents from mindless cocktail party chatter to bribery of officials to assassination plots directed against those who won't play the ...