Why do the vast majority of heroin users live in cities? In his provocative history of heroin in the United States, Eric C. Schneider explains what is distinctively urban about this undisputed king of underworld drugs. During the twentieth century, New York City was the nation's heroin capital—over half of all known addicts lived there, and underworld bosses like Vito Genovese, Nicky Barnes, and Frank Lucas used their international networks to import and distribute the drug to cities throughout the country, generating vast sums of capital in return. Schneider uncovers how New York, as the principal distribution hub, organized the global trade in heroin and sustained the subcultures that supported its use. Through interviews with former junkies and clinic workers and in-depth archival research, Schneider also chronicles the dramatically shifting demographic profile of heroin users. Originally popular among working-class whites in the 1920s, heroin became associated with jazz musicians and Beat writers in the 1940s. Musician Red Rodney called heroin the trademark of the bebop generation. "It was the thing that gave us membership in a unique club," he proclaimed. Smack takes readers through the typical haunts of heroin users—52nd Street jazz clubs, Times Square cafeterias, Chicago's South Side street corners—to explain how young people were initiated into the drug culture. Smack recounts the explosion of heroin use among middle-class young people in the 1960s and 1970s. It became the drug of choice among a wide swath of youth, from hippies in Haight-Ashbury and soldiers in Vietnam to punks on the Lower East Side. Panics over the drug led to the passage of increasingly severe legislation that entrapped heroin users in the criminal justice system without addressing the issues that led to its use in the first place. The book ends with a meditation on the evolution of the war on drugs and addresses why efforts to solve the drug problem must go beyond eliminating supply.
Propulsive, suspenseful, and written with a searing lyricism, The Smack shows once again that "Lange is a writer firing on all cylinders who belongs in the top tier of novelists working today" ( Omaha World-Herald).
A.G., increasingly drawn to Sonny (read: great sex in the prison conference room) despite his dalliance with young Cassy Steiger, and determined to keep childlike, iconoclastic Rickie out of stir, watches Held do his stuff as Stratton ...
This ebook features an illustrated personal history of M. E. Kerr including rare images from the author’s collection.
Smack Dab
A novel about family, adventure, and the art of the con from acclaimed crime writer Richard Lange. Rowan Petty is a conman down on his luck. Tinafey is a hooker...
One day, somehow, finally you have to come down. Commissioned and produced by Oxford Stage Company, Junk premiered at The Castle, Wellingborough, in January 1998 and went on to tour throughout the UK in 1998 and 1999.
This was the first publication to give young children's' views and experiences of smacking.
Then his friend Mabel confronts him, and Jack is faced with a choice. Can he learn how to control his temper, or will Jack continue to give smacks? Read Jack Gives a Smack to find out.
How far would you go to find something that might not even exist?
'[A] riveting, violent caper' Wall Street Journal Rowan Petty is a conman down on his luck.