In 1352 King Edward III had expanded the legal definition of treason to include the act of imagining the death of the king, opening up the category of "constructive" treason, in which even a subject's thoughts might become the basis for prosecution. By the sixteenth century, treason was perceived as an increasingly serious threat and policed with a new urgency. Referring to the extensive early modern literature on the subject of treason, Imaginary Betrayals reveals how and to what extent ideas of proof and grounds for conviction were subject to prosecutorial construction during the Tudor period. Karen Cunningham looks at contemporary records of three prominent cases in order to demonstrate the degree to which the imagination was used to prove treason: the 1542 attainder of Katherine Howard, fifth wife of Henry VIII, charged with having had sexual relations with two men before her marriage; the 1586 case of Anthony Babington and twelve confederates, accused of plotting with the Spanish to invade England and assassinate Elizabeth; and the prosecution in the same year of Mary, Queen of Scots, indicted for conspiring with Babington to engineer her own accession to the throne. Linking the inventiveness of the accusations and decisions in these cases to the production of contemporary playtexts by Udall, Shakespeare, Marlowe, and Kyd, Imaginary Betrayals demonstrates how the emerging, flexible discourses of treason participate in defining both individual subjectivity and the legitimate Tudor state. Concerned with competing representations of self and nationhood, Imaginary Betrayals explores the implications of legal and literary representations in which female sexuality, male friendship, or private letters are converted into the signs of treacherous imaginations.
This is about powerful wizards, sorceress, and others in a quest to stop a fateful war that might end up in the destruction between two realms.
This early work firmly establishes themes that Moliere would pursue throughout his later plays: the falsity in human relationships, the duplicity inherent in marriage, and the hypocrisy of moral posturing.
Shifting Narratives of Marital Betrayal Cristina León Alfar ... that real pressures on men give birth to imaginary betrayals – to borrow a term from Cunningham – while imaginary betrayals give birth to real consequences for women.
On the changing scope of treason prosecution and its cultural implications, see in particular Bellamy, Tudor Law of Treason; Karen Cunningham, Imaginary Betrayals: Subjectivity and the Discourses of Treason in Early Modern England ...
Karen Cunningham, Imaginary Betrayals: Subjectivity and the Discourses of Treason in Early Modern England (Philadelphia: University of Pennsylvania Press, 2002), p. 2. Collections including the Olav Lausund and Stein Haugom Olsen edited ...
My Other Loneliness: Letters of Thomas Wolfe and Aline Bernstein
Global/Local: Cultural Production and the Transnational Imaginary, edited by Rob Wilson, et al. Durham, NC: Duke UP, 1996, pp. ... 199–204. Cunningham, Karen. Imaginary Betrayals: Subjectivity and the Discourses of Treason 162 Bibliography.
Medieval and Early Modern Adultery, Betrayal, and Shame ... 15 Karen Cunningham, Imaginary Betrayals: Subjectivity and the Discourses of Treason in Early Modern England (Philadelphia: University of Pennsylvania Press, 2002).
In Betrayals and Treason Nachman Ben-Yehuda identifies the universal structure of betrayals as the violation of trust and loyalty and charts the different manifestations and constructions of these violations, all within numerous cases ...
A highly imaginative and intricately crafted literary epic, The Betrayals confirms Bridget Collins as one of the most inventive and exquisite new voices in speculative fiction.