Albrecht Dürer (1471-1528), perhaps the most famous of all German artists, embodies the modern ideal of the Renaissance man—he was a remarkable painter, printmaker, draftsman, designer, theoretician, and even a poet. More is known about his thoughts and his life than about any other Northern European master of his time, since he wrote extensively about himself, his family's history, his travels, and his friends. His woodcuts and engravings were avidly collected and copied across Europe, and they quickly established his reputation as a master. Praised in life and elegized in death by such thinkers as Martin Luther and Erasmus, he served Emperor Maximilian and other leading church and secular princes in the Holy Roman Empire. Although there is a vast specialized literature on the Nuremberg master, The Essential Dürer fills the need for a foundational book that covers the major aspects of his career. The essays included in this book, written by leading scholars from the United States and Germany, provide an accessible, up-to-date examination of Dürer's art and person as well as his posthumous fame. The essays address an array of topics, from separate and detailed studies of his paintings, drawings, printmaking, and sculpture, to broader concerns such as his visits to and interactions with Venice and the Netherlands, his personal relationships, and his relationships with other artists. Collectively these stimulating essays explore the brilliance of Dürer's creativity and the impact he had on his world, exposing him as an artist fully engaged with the tumultuous intellectual and religious challenges of his time.
In this book, Jeffrey Chipps Smith explores Dürer’s complex posthumous reception during the great century of museum building in Europe, with a particular focus on the artist’s role as a creative and moral exemplar for German artists ...
From Schongauer to Holbein: Master Drawings from Basel and Berlin. Exhibition catalog. Washington, D.C.: National Gallery of Art, 1999. Frye, Northrop. Anatomy of Criticism. Princeton, N.J.: Princeton University Press, 1957.
This translation is the first to make these original contributions by Gallucci accessible to an English-speaking audience.
PD E 44–35); Raimondi's engraved copy of the Annunciation from the Marienleben; Hans von Kulmbach's charcoal drawing of Sts. ... Alberti, Dürer, and Leonardo da Vinci are compared with current speculations of Gibson and Pirenne [RILA].
All of Dürer's works in three mediums are reproduced in this edition.
Labyrinth of desire: invention and culture in the work of Sir Philip Sidney. ... Touches of sweet harmony: Pythagorean cosmology and renaissance poetics. ... Philip Sidney and the poetics of renaissance cosmopolitanism.
... Dürer and Venice . ” In The Essential Dürer , edited by Larry Silver and Jeffrey Chipps Smith , 99–114 . Philadelphia : University of Pennsylvania Press , 2010 . Mosely - Christian , Michelle . " Confluence of Costume , Cartography and ...
In attempting fictively to collapse the distance between the moment of making and the time of arrival, artists who operated in the epistolary mode began to acknowledge the conditions of uncertainty by which the messages that they were ...
The artist and entrepreneur Albrecht Dürer lived in Germany in the early 1500s, when two storms were threatening the Holy Roman Empire.
“ Conrad Celtes and Kunz von der Rosen : Two Problems in Portrait Identification . " Art Bulletin 24 : 39-54 . - . 1953. “ Artist , Scientist , Genius : Notes on the ' Renaissance - Dämmerung . ' ” In The Renaissance : A Symposium .