"Little by little the gap grows larger and larger between people and their roots. Western life now plays out far from its origins in nature and history. Think of this essay as a pause in that on-rushing existence."--From the Introduction A traveler along the banks of the Connecticut River will be struck by the number of long low sheds rising from the fields as if they are an extension of the landscape. A building type shaped by necessity that grows more beautiful with use and age, these are tobacco curing sheds, mute witnesses to a slowly vanishing agricultural tradition and a thriving economic boom of the last hundred and fifty years. Surprisingly, the Connecticut River valley was once a major producer of cigar leaf tobacco. One of the plants whose cultivation was learned from the native Americans, tobacco was the main crop of many old Yankee farmers and, after them, the Slavic newcomers. The need to season the "Indian weede" gave rise to the structure of the drying barns, a vernacular style unique to its time and place. Just as a picture can throw light on an entire world, so can these drying sheds open a window on a way of life that is fast receding. James F. O'Gorman reads through oral histories, newspaper reports, and the terse factual writing of agricultural diaries to bring to life the risks and rewards of living close to the seasons, at the mercy of rainfall and sunshine. He has collected an array of vintage and newly commissioned photos of the work of growing tobacco, from de facto portraits of anonymous laborers to images of the sheds themselves, with all their ventilating doors open, welcoming the air. In this beautifully crafted book, O'Gorman treats both the people and the sheds with the respect and admiration their precarious presence requires. An inquiry that becomes an elegy for a way of life that is part of our rural heritage, Connecticut Valley Vernacular is an appreciative glance back by one of our premier architectural historians.
The book discusses the importance of barns to Connecticut agriculture across our state and up to the present day.
The book is organized according to various building types: domestic, ecclesiastic, public, and commercial.
Becoming Tom Thumb: Charles Stratton, P. T. Barnum, and the Dawn of American Celebrity* Eric D. Lehman Homegrown Terror: Benedict Arnold and the Burning of New London* Eric D. Lehman The Traprock Landscapes of New England: Environment, ...
However, the Department of Agriculture was partial to the state of Connecticut, especially after the soil testing done in ... To this day, one of the slang words in tobacco vernacular is a bent, meaning the distance of thirty-three feet ...
Windsor Locks , CT : Windsor Locks Journal , 1900 . Howard , Daniel . A New History of Old Windsor , Connecticut . Windsor Locks , CT : The Journal Press , 1935 . O'Gorman , James F. Connecticut Valley Vernacular : The Vanishing ...
James F. O'Gorman, in his 2002 Connecticut Valley Vernacular: The Vanishing Landscape and Architecture of the New England ... remain the most characteristic example of agricultural vernacular architecture in the Connecticut River Valley ...
Stories of 100 Places Christopher Wigren. figureS 97, 98, And 99. Tobacco farms, Windsor. Lowell Fewster 27 figure 105. Wengloski Poultry House, Lebanon. Barbara Wengloski. 100.
M.” An early nineteenth-century milestone, it informs passing travelers that Hartford is twelve miles from this spot. ... Though most commonly made of brownstone, some are cut from local gray gneiss or granite.
For a good discussion of the features associated with Connecticut Valley vernacular architecture , see William N. Hosley Jr. , “ Architecture , ” in The Great River : Art and Society of the Connecticut Valley , 1635–1820 , ed .
Connecticut Valley Vernacular: The Vanishing Landscape and Architecture of the New England Tobacco Fields, by James F. O'Gorman (Philadelphia: University of Pennsylvania Press, 2002), was helpful. Cigars and Other Passions: The ...