In American Horror Story and Philosophy, philosophers with varying backgrounds and interests explore different aspects of this popular “erotic thriller” TV show, with its enthusiastic cult following and strong critical approval. The result is a collection of intriguing and provocative thoughts on deeper questions prompted by the creepy side of the human imagination. As an “anthology show,” American Horror Story has a unique structure in the horror genre because it explores distinct subgenres of horror in each season. As a result, each season raises its own set of philosophical issues. The show’s first season, Murder House, is a traditional haunted house story. Philosophical topics expounded here include: the moral issues pertaining to featuring a mass murderer as one of the season’s main protagonists; the problem of other minds—when I see an old hag, how can I know that you don’t see a sexy maid? And whether it is rationally justified to fear the Piggy Man. Season Two, Asylum, takes place inside a mid-twentieth-century mental hospital. Among other classic horror subgenres, this season includes story lines featuring demonic possession and space aliens. Chapters inspired by this season include such topics as: the ethics of investigative reporting and whistleblowing; personal identity and demonic possession; philosophical problems arising from eugenics; and the ethics and efficacy of torture. Season Three, Coven, focuses on witchcraft in the contemporary world. Chapters motivated by this season include: sisterhood and feminism as starkly demonstrated in a coven; the metaphysics of traditional voodoo zombies (in contrast to the currently fashionable “infected” zombies); the uses of violent revenge; and the metaphysics of reanimation. Season Four, Freak Show, takes place in a circus. Philosophical writers look at life under the Big Top as an example of “life imitating art”; several puzzles about personal identity and identity politics (crystallized in the two-headed girl, the bearded lady, and the lobster boy); the ethical question of honor and virtue among thieves; as well as several topics in social and political philosophy. Season Five, Hotel, is, among other disturbing material, about vampires. Chapters inspired by this season include: the ethics of creating vampire progeny; LGBT-related philosophical issues; and existentialism as it applies to serial killers, Season Six, Roanoke, often considered the most creative of the seasons so far, partly because of its employment of the style of documentaries with dramatic re-enactments, and its mimicry of The Blair Witch Project and Paranormal Activity. Among the philosophical themes explored here are what happens to moral obligations under the Blood Moon; the proper role of truth in storytelling; and the defensibility of cultural imperialism.
Similarly, if I strike my boat with a bottle of champagne and say “I christen you 'The Spoiler Alert',” then my doing so makes it the case that it is now and forever known as “The Spoiler Alert.”2 When you issue a spoiler alert your ...
The book invites readers to consider horror’s various manifestations and transformations since the late 1700s, probing its social, cultural, and political functions in today’s media-hungry society.
How much do you know about the first six seasons of the show? There’s only one way to find out! Whether you’re the ultimate superfan, or a casual viewer who enjoys a bit of trivia, this is the perfect book for you.
The Countess turns Royale into a vampire in 1977, a significant period in Royale's life as well as in vampire film history as Creed observes: “The female vampire is a figure who came to prominence in vampire films of the 1970s.
... AHS . Season 3 , episode 7 , ' The Dead . ' Written by Brad Falchuk . FX . November 20 , 2013 . Callis , Cari , ' Voodoo Hoodoo . ' In American Horror Story and Philosophy : Life is But a Nightmare , ed . Richard Greene and Rachel ...
Amy Schumer is one of a handful of contemporary comedians filling the role of public philosopher. To be clear, Amy herself does not claim to be offering wisdom. This volume contains seventeen fun-filled chapters.
Psychobiddies, grande dames and horrific harridans -- The ageing woman as (American) horror story -- Afterword: monstrous miscarriages and uncanny births -- Index
As for Penny Dreadful, the reference is direct, and throughout the series, decadent vampires and witches cohabit and interact ... in the foggy atmosphere of nineteenth- century London, between seances and vaguely orientalist gatherings.
American. Horror. Story. and. Activism. Three volumes were published that are dedicated to the series and ... Conny Lippert's essay “Nightmares Made in America: Coven and the Real American Horror Story” in Reading American Horror Story ...
A theme of the story is that in this alternative world there is eager speculation, fueled by the illicit newsreel, The Grasshopper Lies Heavy, about how the world would have been different if America had won the war.