"A must-read for any student of Renaissance culture as well as for Shakespeare scholars. It shows how and why Italian city life reverberated even across the Channel to enliven the English stage."--Silvia Ruffo Fiore, University of South Florida "D'Amico's book gives new life to an old idea--that Shakespeare's plays are essentially affirmative--and this is a message that not only seems to me deeply true but also will be welcomed by very many readers."-- Dain A. Trafton, professor emeritus, Rockford College In this rich study of the Italian settings in eleven of Shakespeare's plays, Jack D'Amico examines the essential characteristics of 16th-century Italian society and the Italian city-state as they come to life on Shakespeare's stage. Through the medium of his theater, we see how he creates an urban world open to exchange and decidedly theatrical in spirit. We witness Shakespeare's Italy become, simultaneously, the distant city and the mirror of his own Renaissance London. The book begins by reviewing what Shakespeare may have known about Italy, both the attractions and the dangers of Italian society as they may have appeared in the contemporary popular imagination. D'Amico observes that the dangers seem more pronounced in the tragedies, while the allure of a foreign city, where change and order can coexist, seems to predominate in the comedies. Structuring the book around specific features of the imagined urban setting, he discusses the piazza, the garden, the street, interior spaces, the court, and the temple, demonstrating that the city's limits and contradictions lend a special kind of consistency to the world of Shakespeare’s plays. Written in a highly accessible style and carefully documented with primary and secondary sources, this book will be of great interest to teachers and scholars, to undergraduate and graduate students, and to the general reader. Jack D'Amico, professor of English at Canisius College, is coeditor of The Legacy of Benedetto Croce: Contemporary Critical Views and author of The Moor in English Renaissance Drama (UPF, 1991).
See Gary Taylor , ' Shakespeare's Mediterranean Measure for Measure , in Tom Clayton and Susan Brock , eds , Shakespeare and the Mediterranean ( Newark , University of Delaware Press , 2004 ) . ( I thank Professor Taylor for sending me ...
Shakespeare's Italy: Functions of Italian Locations in Renaissance Drama
Shakespeare’s Italian Settings and Plays
Using the text from Shakespeare’s ten “Italian Plays” as his only compass, Roe determined the exact locations of nearly every scene in Romeo and Juliet, The Two Gentlemen of Verona, The Merchant of Venice, Much Ado about Nothing, The ...
This collection of essays covers the four main topics: Images and Culture', Themes and Tradition, Venice, and Language and Ideology.
Using the text from Shakespeare’s ten “Italian Plays” as his only compass, Roe determined the exact locations of nearly every scene in Romeo and Juliet, The Two Gentlemen of Verona, The Merchant of Venice, Much Ado about Nothing, The ...
The same would apply to Macbeth and also to Falstaff, Verdi's last opera. That the maestro of Busseto would finish ... the Age of Italian Romanticism. Cambridge. ——— 2002. Italian Opera. Cambridge. Marvin, Roberta Montemorra. 2011. “Verdi.
Goetsch, Paul, “Shakespeare und die Englische Rezeption des Stoizismus”, in Stoizismus in der europäischen Philosophie, Literatur, Kunst und Politik, ed. Barbara Neymeyr, Jochen Schmidt, and Bernhard Zimmermann (Berlin and New York: De ...
Shakespeare in Italy
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there...