In her third and final volume on Virginia Woolf's diaries, Barbara Lounsberry reveals new insights about the courageous last years of the modernist writer's life, from 1929 until Woolf's suicide in 1941. Woolf turned more to her diary--and to the diaries of others--for support in these years as she engaged in inner artistic wars, including the struggle with her most difficult work, The Waves, and as the threat of fascism in the world outside culminated in World War II. During this period, the war began to bleed into Woolf's diary entries. Woolf writes about Hitler, Mussolini, and Stalin; copies down the headlines of the day; and captures how war changed her daily life. Alongside Woolf's own entries, Lounsberry explores the diaries of 18 other writers as Woolf read them, including the diaries of Leo Tolstoy, Dorothy Wordsworth, Guy de Maupassant, Alice James, and André Gide. Lounsberry shows how reading diaries was both respite from Woolf's public writing and also an inspiration for it. Tellingly, shortly before her suicide Woolf had stopped reading them completely. The outer war and Woolf's inner life collide in this dramatic conclusion to the trilogy that resoundingly demonstrates why Virginia Woolf has been called "the Shakespeare of the diary." Lounsberry's masterful study is essential reading for a complete understanding of this extraordinary writer and thinker and the development of modernist literature.
I owe special thanks to Bruce Martin and Evelyn Timberlake ( at the Library of Congress ) ; Philip Milato and Steve Crook ( at the Berg Collection ) ...
In Character and Mourning, Erin Penner shows how these two modernist novelists took on the challenge of rewriting the literature of mourning for a new and difficult era.
A founding text of cultural theory, Three Guineas can also help us understand the twenty-first-century realities of endless war justified by "unreal loyalties."
Virginia Woolf's feminist-pacifist essay "Three Guineas," with its rallying cry to "Outsiders" - "As a woman, I have no country. As a woman I want no country. As a woman...
In Woolf's last novel, the action takes place on one summer's day at a country house in the heart of England, where the villagers are presenting their annual pageant. A lyrical, moving valedictory.
They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.
Publishers, Readers and the Great War: Literature and Memory Since 1918. London: Bloomsbury, 2017. van Emden, Richard, ... 1917–1919.” Reading and the First World War. Eds. Edmund G. C. King and Shafquat Towheed. Basingstoke et al.
“Making History Unrepeatable in Virginia Woolf's Between the Acts.” Clio 25/1: 3–20. Williams, Harold. 1918. Modern English Writers: Being ... The Letters of Virginia Woolf, 1912–1922, vol. II. Eds. Nigel Nicolson, and Joanne Trautmann.
WHAT TO DO with such knowledge as photographs bring of faraway suffering? People are often unable to take in the sufferings of those close to them. (A compelling document on this theme is Frederick Wiseman's film Hospital.) ...
Starting with fourteen-year-old Woolf's first palm-sized leather diary, this publication illuminates how her private and public writing was shaped by the diaries of other writers including Samuel Pepys, James Boswell, the French Goncourt ...