While writing his book, Lost Mountain: A Year in the Vanishing Wilderness, Erik Reece spent a great deal of time studying strip mining and its effect on the environment and surrounding communities. After a year of exploring the ugliness of a rapidly disappearing landscape, Reece felt a strong need to celebrate the wonder the Eastern broadleaf forests still have to offer. The result is a collection of poems by individuals who share Thoreau's belief that the natural world is "an unroofed church, a place of reverence." Field Work: Modern Poems from Eastern Forests seeks an answer to Frost's question, "What to make of a diminished thing?" by contemplating work from some of the twentieth century's greatest nature poets. Reece frames contemporary American poems with a rich selection of Chinese poetry from the T'ang Dynasty, written by poets who produced what many consider the first great nature writing. More than 1,300 years ago Li Po, Tu Fu, Wang Wei, and Han Shan described a landscape in southern China remarkably similar in landscape and ecology to the forests of Appalachia. Consequently, their work has inspired many of the American poets featured in Field Work, including Hayden Carruth, Mary Oliver, A. R. Ammons, Jane Kenyon, and Denise Levertov. The modern poets in this collection share the eastern reverence for the natural world -- they desire to create a poetry of belonging, of elemental contact with something much larger than the self. These poems ask the reader to turn away from urban landscapes in an effort to better understand the natural world as a spectacular, profound organism. Wendell Berry, for example, praises the quiet and solitude of nature, inspiring the reader to experience each poem in the setting for which it was written. In Field Work, Reece brings together a collection of poetry that calls readers out of doors as these poems become gateways to a natural world we are often too distracted to see.
... Or if the secret ministry of frost Shall hang them up in silent icicles, ... A Noiseless Patient Spider A noiseless patient spider, I mark'd where on a ...
An anthology of some of the best English poems.
Combining journal entries, poetry and formal e-mails, these books celebrate the sights, sounds, flavors, (and the physical and mental strain), of crossing mountains, rolling landscapes, and unchanged rural villages, as well as vibrant ...
There are no Formal E-mails, no Definitions, no Autobiography or Research here. And because of all that it is not, this book completes those first two in the pilgrimage series in a gentle way.
Karen Freeman! Was born August 22, 1950 in Newark New Jersey. She had a “BRIGHT” daughter named Kira. She Married Warren W. C. Freeman March 1, 1998. They were married for 13 years and 20 days. She “PASSED-ON” March 21, 2011.
Winner of the Massachusetts Book Award "A terrific and sometimes terrifying collection—morally complex, rhythmic, tough-minded, and original." —Rosanna Warren, 2018 Barnard Women Poets Prize citation In a poetic voice at once accessible ...
O. D. Macrae Gibson points out that the function of pyȝt as a concatenating word stresses its capacity to mean both arrayed and set.8 Gordon glosses the word as varying in sense throughout the poem between “set,” “fixed,” and “adorned” ...
This riveting poetry collection is a fresh and witty account of thoughts and experiences that everyday people have in their day-to-day lives.
SELL. IT. SOMEWHERE. ELSE. Well, you can take your good looks somewhere else Cuz they're not for sale 'round here... I've heard about you and the things you do And I don't need you anywhere near. Yeah, I've met your kind a time or two ...
I was indeed fortunate in being able to recruit a pair of talented , conscientious , and unfailingly cheerful draftsmen in the persons of Julie Baker and Kathi Donahue ( now Sherwood ) to collaborate with my wife , Sally , in producing ...