" Winner of the 2003 Ray and Pat Browne Book Award, given by the Popular Culture Association The contributors to Hollywood’s White House examine the historical accuracy of these presidential depictions, illuminate their influence, and uncover how they reflect the concerns of their times and the social and political visions of the filmmakers. The volume, which includes a comprehensive filmography and a bibliography, is ideal for historians and film enthusiasts.
This book in that respect points at the presumptive and pretended “Culprits” and “Scapegoats” in the current divide, while focusing on what is obvious.
Taking a behind-the-scenes look at Ronald Reagan's movie career, this fun, photo-filled exploration of America's 40th president that reveals how The Gipper evolved into The Great Communicator.
A leading figure in American politics and popular culture recounts his eventful odyssey from Houston, to Washington, D.C., to Hollywood, detailing his experiences as a decorated wartime bomber pilot, his role as Special Assistant to ...
Redford, Robert, 153 Reds, 195–196 Reeve, Christopher, 228 Reeves, Richard, 131 Regan, Donald, 192 Regan, Phil, 91 Reiner, Rob, 232 religion: FDR image and, 86; and presidential image, 171, 172; in progressivism, 36–37 Remnick, David, ...
Taking a behind-the-scenes look at Ronald Reagan's movie career, this fun, photo-filled exploration of America's 40th president that reveals how The Gipper evolved into The Great Communicator.
His cabinet are less than convinced by this about-face so he sacks them, Beekman suddenly and inexplicably becomes a military commander in a domestic army/police unit, and Hammond moves to suspend Congress because the threat to the ...
A fun, photo-filled homage to Ronald Reagan that explores how The Gipper became The Great Communicator.
“How come Marion Michael Morrison don't have this sorta trouble?” Slim pondered, as we climbed back aboard the chartered plane. “The name on his passport is John Wayne,” I told him. Slim and I did the Grand National Quail Hunt a couple ...
Argues that Irish American masculinity functioned to negotiate, consolidate, and reinforce hegemonic whiteness in Hollywood cinema from 1930 to 1960.
The book argues that such characters function to express hegemonic whiteness as ethnicity, a socio-racial framing that kept immigrant origins and normative American values in productive tension.