A biography of the six-time Oscar-winning director of films like Some Like It Hot and Double Indemnity, featuring analysis of his work. Although his career spanned fifty years and included more than fifty films, Austrian-American film director Billy Wilder (1906-2002) may be best known for the legendary shot of Marilyn Monroe’s dress billowing over a subway grating in The Seven Year Itch (1955). This “shot seen round the world” is representative not only of Hollywood’s golden era of cinema but also of one of its most prolific and brilliant directors. Wilder, whose filmography includes such classics as Sunset Boulevard (1950), Sabrina (1954), Witness for the Prosecution (1957), and Some Like It Hot (1959), is often remembered for his versatility, biting wit, and passion for challenging social and moral conventions. Author Gene D. Phillips departs from the traditional biography in Some Like It Wilder, offering new insights into the acclaimed director’s professional and private life. In preparation for the book, Phillips conducted personal interviews with Wilder and other key players from the legendary director’s life and times. Phillips’s unique combination of analysis and biographical detail brings Wilder to life, as both an artist and man. Phillips traces Wilder’s path from Berlin, where he worked as a scriptwriter for one of the city’s largest studios, to Hollywood, where he would quickly establish himself as a premier film director. Forming a partnership with writer-producer Charles Brackett, Wilder directed the classic films Five Graves to Cairo (1943), Double Indemnity (1945), and The Lost Weekend (1945), which earned Academy Awards for best picture, best director, and best screenplay. During the 1960s, Wilder continued to direct and produce controversial comedies, including Kiss Me Stupid (1964) and The Apartment (1960). The Apartment brought Wilder another round of Oscars for best picture, best director, and best screenplay. Wilder’s maverick approach and independent artistic vision pushed boundaries and ensured his legacy as one of the Hollywood greats. Sharply written, Some Like It Wilder serves as a comprehensive companion to Wilder’s films, offering a personalized and heartfelt account of the life and genius of this compelling director. Praise for Some Like It Wilder “Featuring Gene D. Phillips’ unique, in-depth critical approach, Some Like It Wilder . . . provides a groundbreaking overview of a filmmaking icon . . . . This definitive biography reveals that Wilder was, and remains, one of the most influential directors in filmmaking.” —Turner Classic Movies “[Phillips] goes beyond the surface and deep into the complex mind and soul of the famous film director . . . . This book is, in my view, definitive.” —Vincent LoBrutto, author of Martin Scorsese: A Biography
Kiss Me, Stupid, Twice; Kiss Me Once and Kiss Me Twice and Kiss Me Once Again.” The uproar his film caused seems quaint in retrospect, for it appeared just before the dam broke for sexual license in American film in the late 1960s.
Note on George W. Davis: Davis shares screen credit with Lyle Wheeler on the production design of The Seven Year Itch, but that was simply studio politics; Wheeler was the head of Fox's design department but had nothing to do with this ...
A crossdressing, gender-bending, genre-busting, kinky crime caper, "Some Likeit Hot" (1959) tells the story of two jazz musicians who dress in drag and goundercover in an all-girls' band to escape the Mob.
From a humorous account of Wilder's stint as a hired dancing companion in a posh Berlin hotel and his dispatches from the international film scene, to his astute profiles of writers, performers, and political figures, the collection offers ...
You could call it Kiss Me Again , Stupid . Yeah . Kiss Me , Stupid , Twice , Kiss Me Once and Kiss Me Twice and Kiss Me Once Again . Perhaps the change in your work over the last ten years is not so much a change in you as that you have ...
Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out.
The renowned director talks to Cameron Crowe about 30 years at the very heart of Hollywood. Wilder's distinct voice provides a fascinating insider's view of the film industry past and present.
With scores of unseen black-and-white photos throughout, and an eight-page color insert that shows what the movie would have looked like in Technicolor, "The Making of Some Like It Hot" is the definitive book on a beloved classic.
-H H ATT 0 ABOVE Still from ' Ball of Fire ' ( 1941 ) Sugarpuss O'Shea ( Barbara Stanwyck , sitting ) helps out Bertram Potts ( Gary Cooper ) , professor of linguistics , in his pursuit of her slang words .
This is a re-examination of the key American films of Wilder, often challenging previous readings of his filmmaking style and personality, emphasizing the pop-cultural, film-historical, and sociohistorical content of well known films like ...