Once confined solely to literature and film, science fiction has emerged to become a firmly established, and wildly popular, television genre over the last half century. The Essential Science Fiction Television Reader provides insight into and analyses of the most important programs in the history of the genre and explores the breadth of science fiction programming. Editor J. P. Telotte and the contributors explain the gradual transformation of the genre from low-budget cinematic knockoffs to an independent and distinct televisual identity. Their essays track the dramatic evolution of early hits such as The Twilight Zone and Star Trek into the science fiction programming of today with its more recent successes such as Lost and Heroes. They highlight the history, narrative approaches, and themes of the genre with an inviting and accessible style. In essays that are as varied as the shows themselves, the contributors address the full scope of the genre. In his essay “The Politics of Star Trek: The Original Series,” M. Keith Booker examines the ways in which Star Trek promoted cultural diversity and commented on the pioneering attitude of the American West. Susan George takes on the refurbished Battlestar Galactica series, examining how the show reframes questions of gender. Other essays explore the very attributes that constitute science fiction television: David Lavery’s essay “The Island’s Greatest Mystery: Is Lost Science Fiction?”calls into question the defining characteristics of the genre. From anime to action, every form of science fiction television is given thoughtful analysis enriched with historical perspective. Placing the genre in a broad context, The Essential Science Fiction Television Reader outlines where the genre has been, where it is today, and where it may travel in the future. No longer relegated to the periphery of television, science fiction now commands a viewership vast enough to sustain a cable channel devoted to the genre.
The first in the Routledge Television Guidebooks series, Science Fiction TV offers an introduction to the versatile and evolving genre of science fiction television, combining historical overview with textual readings to analyze its ...
Music Hall Mimesis in British Film, 1895–1960: On the Halls on the Screen. Madison, NJ: Fairleigh Dickinson UP, 2009. Stewart, Garrett. “The 'Videology' of Science Fiction.” Shadows of the Magic Lamp: Fantasy and Science Fiction in Film ...
A widely held attitude that Penley and Ross describe sees technology as a largely neutral, but potentially liberating force that promises to open up "utopian" possibilities for all. This view, which they suggest is rather naive, ...
Dictionary of Teleliteracy. New York: Continuum, 1996. ———. Teleliteracy: Taking Television Seriously. The Television Series. Syracuse, N.Y.: Syracuse UP, 2000. Bielby, Matt. “Sexy Beasts.” Death Ray 10 (2008): 40–49.
The definitive introduction to American science fiction, this is also the first study to analyse SF across both film and TV. Throughout, the discussion is illustrated with critical case studies of key films and television series, including ...
... and certainly the most frequently discussed cult film, The Rocky Horror Picture Show (1975), opens with an arresting image, a close-up of bright red lips mouthing the film's theme song, “Science Fiction Double Feature.
By reading these invasion narratives as performances of middle-class, white Americans' excitement and anxiety about social and political issues, George shows how they often played out as another round in the battle of the sexes.
The first in the Routledge Television Guidebooks series, Science Fiction TV offers an introduction to the versatile and evolving genre of science fiction television, combining historical overview with textual readings to analyze its ...
Visible Fictions: Cinema, Television, Video. Rev. ed. London: Routledge, 1992. Gatts, Strawberry. “The Use of Holograms in 'Logan's Run.'” American Cinematographer (June 1976): 650–651, 669, 706. Gentry, Ric.
He is author of Attending Daedalus: Gene Wolfe Artifice and the Reader (2003). He has written numerous articles and has contributed to Blackwell'sA Companion to Science Fiction (2005), The Routledge Companion to Science Fiction (2009) ...