Post-industrial humankind is inundated daily with visual images. Televisions transmit their blue haze into dark living rooms; advertisements and billboards bombard us at every turn; movies evoke tears, outrage, or hilarity; and the visual arts elicit strong emotional or intellectual responses. At almost every moment, several visual images are warring for our attention in order to make a claim, sell a product, or call us to action. Faced with visual overload, how do we interpret these images? What is happening when a picture moves us? What process takes place in our minds as we respond to such visual devices as close-ups, camera angles, and flashbacks?This book provides a foundation for answering these questions. Encouraging his readers to become “visually literate,” Paul Messaris takes them on a journey through four major conceptual levels of understanding: imparting visual literacy as a prerequisite for comprehending visual media; creating awareness of the general cognitive consequences of visual literacy; making us alert to visual manipulation; and promoting aesthetic appreciation of the images we see. Taken together, these approaches provide a comprehensive view of how visual images are produced and interpreted, and of what their potential social consequences may be.
Special thanks are also due to John Pfeufer , who designed many of the assignment sheets , along with Jean Cronin , Thomas Gianfagna , Meryl L. Meyer , and Elizabeth Rosenthal . The art throughout the book was diligently photograhed by ...
Deblase, G. (2007). Learning to speak in a political voice. English Education, 39(2), 117–119. Duke, N. K., & Pearson, P. D. (2002). Effective practices for developing reading comprehension. In A. E. Farstrup & S. J. Samuels (Eds.), ...
This method of learning to see and read visual data has already been proved in practice, in settings ranging from Harlem to suburbia. Appropriately, the book makes some of its most telling points through visual means.
The essays gathered here examine a host of issues surrounding "the visual," exploring national and regional ideas of visuality and charting out new territories of visual literacy that lie far beyond art history, such as law and chemistry.
Year 3–4 Resources A scanned page from a comic Interactive whiteboard Comic panel sheet (see Figure 3.7). ... Choose a page from a comic which has a variation of panel shapes and sizes (this can probably be found in the pages of most ...
New York: Pearson, 2010. Finch, C. The Art of Walt Disney: From Mickey Mouse to the Magic Kingdoms. New York: Harry N. Abrams Incorporated, 1995. Frayer, Dorothy A., W. C. Frederick, and H. J. Klausmeier. A Schema for Testing the Level ...
(From Cressida's Classroom by David Drew and Robert Roennfeldt.) (View this figure in color at http://www.stenhouse.com/iswym.) IN COLOR room. It has “lost” some details in the top view and changed others. The keys on the piano keyboard ...
Rhonda S. Robinson is Professor of Education at Northern Illinois University ( NIU ) , where she directs the Masters degree program and teaches courses in instructional technology research , design , and development .
The signs are everywhere--for those who can read them. Because of television, advertising, and the Internet, the primary literacy of the 21st century will be visual. It's no longer enough...
"This book is designed to be a quick, informative guide to visual literacy instruction in any classroom (higher education), not just the art or design classroom.