American motion pictures still dominate the world market with an impact that is difficult to measure. Their role in American culture has been a powerful one since the 1930s and is a hallmark of our culture today. Though much has been written about the film industry, there has been very little systematic attention paid to the ideology of its creative elite. How does the outlook of that elite impact on the portrayals of America that appear on the screen? How do their views interact with the demands of the market and the structure of the industry to determine the product that is seen by mass audiences?Hollywood's America is a marvelously rich and careful discussion of these questions. It combines a meticulous systematic content analysis of fifty years of top-grossing films with a history of the changing structure of the industry. To that mixture it adds an in-depth survey of Hollywood's creative elite, comparing them to other leadership groups. The result is a balanced discussion of unique breadth and depth on a subject of national importance.Placing the film industry in the context of American society as a whole, the authors point out that Hollywood's creative leadership impacts the larger society even as it is influenced by that society. The creators of films cannot remove themselves too far from the values of the audiences that they serve. However, the fact that films are made by a relatively small number of people, who, as the authors demonstrate, tend to share a common outlook, means that, over time, motion pictures have had an undeniable impact on the beliefs, lifestyles, and action of Americans.This study contributes to the debate over the role and influence of those who create and distribute the products of mass culture in the United States.The book also contains a devastating critique of the poststructuralist theories that currently dominate academic film criticism, demonstrating how they fail in their attempt to explain the political significance of motion pictures.
poker-faced man and the unruffled woman echoed earlier cultural anxieties about “confidence men” and “painted women” in antebellum America. Much like the trickster figure of various folk cultures, the confidence man was the seducer who ...
Hollywood's America: sider om hver film
Splendid vintage photographs from the renowned collections of the Hollywood Heritage Museum and Bison Archives illustrate Hollywood's businesses, homes, and residents during the silent-film era and immediately after, as the Great Depression ...
Fonda, Don't Tell Dad, 300; for more on Oates, see Susan Compo, Warren Oates:A Wild Life (Lexington: University Press ofKentucky, 2009). 29. On Peckinpah, see David Weddle, “If They Move. . . Kill 'Em!” The Life and Times ofSam ...
This provocative book reveals how Hollywood films reflect our deepest fears and anxieties as a country, often recording our political beliefs and cultural conditions while underscoring the darker side of the American way of life.
In Hollywood’s Artists, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA).
The challenge of making the great American historical film has attracted some of our finest talents: D. W. Griffith, John Ford, Robert Altman, Francis Ford Coppola, Martin Scorsese, Oliver Stone,...
Through textual and visual symbolism, Ulysses Grant, Thomas Jefferson, Woodrow Wilson, Harry Truman—and most especially, Abraham Lincoln—cast long shadows over Capra's protagonists and spread their iconic values throughout his films.
This path-breaking book reveals how Hollywood became "Hollywood" and what that meant for the politics of America and American film.
Moviemaking & Society Before Television Thomas Cripps, University Distinguished Professor Thomas Cripps. Bibliographical Essay per that covered show ... A thorough list of them by pedigree appears in Allen and Gomery's Film History .