Corrigan argues that in the past 25 years the increased conglomerization of film production/distribution companies and the rise of VCR, satellite, and cable television technologies have altered the way films are made and how we view them. The result is a growing internationalization of national cinema cultures and an increasing fragmentation of the audience. Video has reduced the movie to private and domestic performance. At the same time, audiences are bombarded with a surfeit of images that leaves them with a battered sense of their place in history and culture. Corrigan notes that, combined with what many critics have recognized as the growing incoherence in film texts, these facts make it more meaningful to discuss films not as texts but as multiple cultural and commercial processes constructed by increasingly specialized audiences. ISBN 0-8135-1667-6: $36.00.
Written by award-winning author Timothy Corrigan, Describing Cinema is an argument for the creative energies of writing in general and for the revelatory intersection of personal experience and film analysis.
Tustin's citations from Shakespeare, Eliot, Ted Hughes, and others throughout her work index her struggle with autistic material and the turn of poetry as verbalizing it without reducing its complexity. Tustin, Autistic Barriers, 21–2.
... a films show their characters using these spaces against the intentions of their makers , who , it seems , inadvertently incorporate into their expensive design the triggers for their self - destruction . These films ... WALLS WITHOUT CINEMA.
A definitive study of a seminal genre of nonfiction cinema, this book examines the essay films origins, literary precursors, and works by its greatest practitioners, like Chris Marker, Agnes Varda, Errol Morris, Chantal Akerman, Werner ...
The past three decades have seen the rise of a transnational European cinema, not only in terms of production, but also in terms of a growing focus on multi-ethnic themes within the European context.
In this book, two scholars--an Israeli and a Palestinian--in a rare and welcome collaboration, follow the development of Palestinian cinema, commenting on its response to political and social transformations.
In American Cinema of the 2000s, essays from ten top film scholars examine such popular series as the groundbreaking Matrix films and the gripping adventures of former CIA covert operative Jason Bourne; new, offbeat films like Juno; and the ...
The provocative essays in this marvelous collection might be likened to a must-see motion picture program with a choice marquee entry for every taste, a bill whose featured attractions encompass the forgotten pioneers of the silent screen, ...
The Routledge new edition of this classic book functions as an accessible introduction to the historical and theoretical exchanges between film and literature and also includes the key critical readings necessary for an understanding of ...
... virtually all possible modes of contemporary practitioner agency, yet he remains distinct from even his closest contemporaries, fellow multi-hyphenate experimentalists such as the U.S.'s David Lynch or the UK's Michael Winterbottom.