Guilty pleasures in one’s reading habits are nothing new. Late-nineteenth-century American literary culture even championed the idea that popular novels need not be great. Best-selling novels arrived in the public sphere as at once beloved and contested objects, an ambivalence that reflected and informed America’s cultural insecurity. This became a matter of nationhood as well as aesthetics: the amateurism of popular narratives resonated with the discourse of new nationhood. In Guilty Pleasures, Hugh McIntosh examines reactions to best-selling fiction in the United States from 1850 to 1920, including reader response to such best-sellers as Uncle Tom’s Cabin, Ben Hur, and Trilby as well as fictional representations—from Trollope to Baldwin—of American culture’s lack of artistic greatness. Drawing on a transatlantic archive of contemporary criticism, urban display, parody, and advertising, Guilty Pleasures thoroughly documents how the conflicted attitude toward popular novels shaped these ephemeral modes of response. Paying close attention to this material history of novel reading, McIntosh reveals how popular fiction’s unique status as socially saturating and aesthetically questionable inspired public reflection on what it meant to belong to a flawed national community.
Meet Anita Blake, Vampire Hunter, in the first novel in the #1 New York Times bestselling series that “blends the genres of romance, horror and adventure with stunning panache”(Diana Gabaldon).
Published in mass market paperback almost ten years ago by Ace, Guilty Pleasures marked the debut of a writer who was destined to grow from cult favorite to a major...
a questionable man ( e.g. , Bridget Jones , Fifty Shades ) , stories about the vertiginous return home of a fancy business lady ( nearly all Hallmark holiday movies and also some films with bigger names like Holly Hunter , Reese ...
Alphabetical listing of things like TV programmes you don't admit to watching, convenience foods, music etc.
In this erotically charged sequel to A Million Dirty Secrets, demanding entrepreneur Noah Crawford, once he discovers the secret reason Lanie Talbot entered into their agreement in the first place, tries to end their relationship, but his ...
Moving from the seventies to the nineties, Guilty Pleasures invites readers into the affluent arena of shocking acts and stunning revelations that is the South Florida world of the Folsby clan.Emmet Richard Folsby: Founder of a mighty ...
See also Andrew Ross , “ Uses of Camp , " in No Respect : Intellectuals and Popular Culture ( New York : Routledge , 1989 ) , 143–44 . 8 Richard Dyer , “ Judy Garland and Gay Men , " in Heavenly Bodies : Film Stars and Society ( New ...
Suspicion of aesthetics became a way to establish the rigor of one’s thought and the purity of one’s politics. Yet aesthetic pleasure never disappeared, Timothy Aubrey writes. It went underground.
One of Daphne Wade's guilty pleasures is to watch the Duke of Tremore as he works, shirtless, on the excavation site of his ducal estate.
A trusted family friend journeys from the Florida Everglades to the heights of the New York corporate world to explore the history of the Folsby family and reveal the dark secrets that could destroy their empire