This is a study of the cinematic traditions and film practices in the black Diaspora. With contributions by film scholars, film critics, and film-makers from Europe, North America and the Third World, this diverse collection provides a critical reading of film-making in the black Diaspora that challenges the assumptions of colonialist and ethnocentrist discourses about Third World, Hollywood and European cinemas. Cinemas of the Black Diaspora examines the impact on film-making of Western culture, capitalist production and distribution methods, and colonialism and the continuing neo-colonial status of the people and countries in which film-making is practiced. Organized in three parts, the study first explores cinema in the black Diaspora along cultural and political lines, analyzing the works of a radical and aesthetically alternative cinema. The book proceeds to group black cinemas by geographical sites, including Africa, the Caribbean and South America, Europe, and North America, to provide global context for comparative and case study analyses. Finally, three important manifestoes document the political and economic concerns and counter-hegemonic institutional organizing efforts of black and Third World film-makers from the 1970s to the early 1990s. Cinemas of the Black Diaspora should serve as a valuable basic reference and research tool for the study of world cinema. While celebrating the diversity, innovativeness, and fecundity of film-making in different regions of the world, this important collection also explicates the historical importance of film-making as a cultural form and political practice.
Esthétique du film. Paris, Nathan, 1983. AUMONTJacques, MARIE Michel. L'Analyse des films. Paris, Armand Colin, coll. “Cinéma,” 2008 [Nathan, 1998]. BELLOUR Raymond. L'Analyse du film. Paris, Éditions Albatros, 1979. BOURGET Jean-Louis.
The contributors to this volume identify three key ways in which film can achieve these goals: Documenting human rights abuses and thereby supporting the claims of victims and goals of truth and reconciliation within larger communities ...
In The Film Art of Isaac Julien , by David Deitcher and Isaac Julien , with contributions from Amanda Cruz , edited by David Frankel 103–10 . Annandale - on - Hudson , NY : Center for Cultural Studies . Kandé , Sylvie . 1998.
... Colonial Cinema and Imperial France, 1919–1939: White Blind Spots, Male Fantasies, Settler Myths (Baltimore, MD: Johns Hopkins University Press, 2001), 3. 4. Timothy Burke, “'Our Mosquitoes Are Not So Big': Images and Modernity in ...
The book's pan-Africanist vision heralds important new strategies for appraising a cinema that increasingly attracts the attention of film students and Africanists.
In Queer African Cinemas, Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century in an environment of increasing antiqueer violence, efforts to criminalize ...
... black' in black diasporic cinemas. In: M.T. Martin, ed. Cinemas of the black diaspora: diversity, dependence, and oppositionality. Detroit, MI: Wayne State University Press, 1Á21. Miller, C.L., 1998. Nationalist and nomads: essays on ...
... Abakuá to Zouk, ed. S. Sloat, 221–246. Gainesville: University Press of Florida. Dance Research Journal. 1974–. New York: Con- gress on Research in Dance (CORD). Daniel, Yvonne. 1983. “Dancing Down River: A ... Dance. in. the. African.
Many artists who carried the spirit of revolution in the 1970s now find themselves in mid-life crisis, sitting in power at theatre institutions (within a nation and a world) suffering a similar identity crisis.
This collection brings together international experts on the cinema of migration and diaspora in postcolonial and postnational Europe.