In their thoughtful study of one of Stanley Cavell's greatest yet most neglected books, William Rothman and Marian Keane address this eminent philosopher's many readers, from a variety of disciplines, who have neither understood why he has given film so much attention, nor grasped the place of The World Viewed within the totality of his writings about film. Rothman and Keane also reintroduce The World Viewed to the field of film studies. When the new field entered universities in the late 1960s, it predicated its legitimacy on the conviction that the medium's artistic achievements called for serious criticism and on the corollary conviction that no existing field was capable of the criticism filmed called for. The study of film needed to found itself, intellectually, upon a philosophical investigation of the conditions of the medium and art of film. Such was the challenge The World Viewed took upon itself. However, film studies opted to embrace theory as a higher authority than our experiences of movies, divorcing itself from the philosophical perspective of self-reflection apart from which, The World Viewed teaches, we cannot know what movies mean, or what they are. Rotham and Keane now argue that the poststructuralist theories that dominated film studies for a quarter of a century no longer compel conviction, Cavell's brilliant and beautiful book can provide a sense of liberation to a field that has forsaken its original calling. read in a way that acknowledges its philosophical achievement, The World Viewed can show the field a way to move forward by rediscovering its passion for the art of film. Reading Cavell's The World Viewed will prove invaluable to scholars and students of film and philosophy, and to those in other fields, such as literary studies and American studies, who have found Cavell's work provocative an fruitful.
William Rothman, in his doctoral dissertation on aesthetics and cinema (Harvard, 1973), argues, to my mind convincingly, that a particular relation between the shown and the unshown is central to Hitchcock's narrative style, ...
William Rothman argues that the driving force of Hitchcock's work was his struggle to reconcile the dark vision of his favorite Oscar Wilde quote, "Each man kills the thing he loves," with the quintessentially American philosophy, ...
Including contributions from Hilary Putnam, Cora Diamond, Jim Conant and Stephen Mulhall, this book is a must-have for libraries and students alike.
In Movies with Stanley Cavell in Mind, some of the scholars who have become essential for our understanding of Stanley Cavell's writing on film gather to use his landmark contributions to help us read new films-from Hollywood and elsewhere ...
Cavell, The World Viewed, enlarged ed., Cambridge, Massachusetts and London, England: Harvard University Press 1979, p. 22. ... 28; William Rothman & Marian Keane, Reading Cavell's the World Viewed: A Philosophical Perspective, ...
In this book, Catherine Wheatley draws upon Cavell's explicitly film-inspired works, key philosophical concepts and autobiographical writings, examining his analyses of films from Hollywood's Golden Age, the French New Wave, contemporary ...
52 In their book-length exposition Reading Cavell's The World Viewed: A Philosophical Perspective on Film (Detroit: Wayne State University Press, 2000), Rothman and Keane barely mention synchronization. In fact, they barely mention ...
... and an entire book has been written by Rothman and fellow film scholar Marian Keane, seeking to explicate the issues raised by The World Viewed, Reading Cavell's The World Viewed: A Philosophical Perspective on Film (2000).
Stanley Cavell, The World Viewed: Enlarged Edition, 22. 10. William Rothman and Marian Keane, Reading Cavell's The World Viewed (Detroit, MI: Wayne State University Press, 2000), 64. 11. William Rothman and Marian Keane, ...
Stanley Cavell, The World Viewed: Reflections on the Ontology of Film: Enlarged Edition (Cambridge, ... foundation of Cavell's thinking on film is William Rothman and Marian Keane's Reading Cavell's “The World Viewed”: A Philosophical ...