The sheer volume of responses to the first issue of Fairy Tale Review shows that fairy tales continue to be one of the most viable art forms. In fairy tales, all things are interdependent, mysteriously and insanely entwined. They contain a deeply ecological world. The Green Issue is devoted to new fairy tales, with a special consideration for nature. The unbridled individualism at work in the literary forms most dominant today devalues the natural world in relation to the human. In fairy tales, the human world and the animal world are collapsed. The collapse remains open to wonder and change. In this way, fairy tales provide the possibility for narratives to shine a different sort of terrible light on the natural world. This world is transparent, imperiled, abstract, and new. In this world, clarity and wonder go hand and hand.
As readers follow the siblings through a forest brimming with menacing foes, they learn the true story behind (and beyond) the bread crumbs, edible houses, and outwitted witches.
The writing selected for the debut issue of Fairy Tale Review reflects this quality in a multitude of ways. The work in here is not beholden to any particular school of writing.
... Dora's little house near the well of the worlds . We ate stew , then went outside to watch the vast wedding band of gold in the sky that had been Bella and Arabella . It was very beautiful , as broken things sometimes are . I wondered ...
Hansel began to cry, and said: “How are we ever to get out of the wood?” But Gretel comforted him. “Wait a bit,” she said, “till the moon is up, and then we'll find our way sure enough.” And when the full moon had risen she took her ...
From favorites like "Puss in Boots" and "Goldilocks" to obscure gems like "The Boy Who Drew Cats," Fairy Tale Comics has something to offer every reader.
Reminiscent of classic Swedish fairy tales, Emelie Lidehäll Öberg's debut coloring book is full of sweetly sleeping animals, dolls come to life, and whimsical abodes.
In this modern twist on the classic story, Cinderella, who would rather just be Ella, meets her fairy godmother, goes to a ball, and makes friends with a prince. But that is where the familiar story ends.
Many called her Snow White, but few knew her as the Fairytale Keeper.
Elegant and brutal, the stories in Kate Bernheimer's latest collection occupy a heightened landscape, where the familiar cedes to the grotesque and nonsense just as often devolves into terror.
This is the first book to examine the history, significance, and imagery of classic fairy tales through the lens of high fashion.