How does one capture the delightful irony of Edith Wharton's prose or the spare lyricism of Kate Chopin's? Kathleen Wheeler challenges the reader to experiment with a more imaginative method of literary criticism in order to comprehend more fully writers of the Modernist and late Realist period. In examining the creative works of seven women writers from the late nineteenth and early twentieth centuries, Wheeler never lets the mystery and magic of literature be overcome by dry critical analysis. Modernist Women Writers and Narrative Art begins by evaluating how Edith Wharton, Kate Chopin, and Willa Cather all engaged in an ironic critique of realism. They explored the inadequacies of this form in expressing human experience and revealed its hidden, often contradictory, assumptions. Building on the foundation that Wharton, Chopin, and Cather established, Jean Rhys, Katherine Mansfield, Stevie Smith, and Jane Bowles brought literature into the era we now consider modernism. Drawing on insights from feminist theory, deconstructionism and revisions of new historicism, Kathleen Wheeler reveals a literary tradition rich in narrative strategy and stylistic sophistication.
Edited by Sander L. Gilman and Karen Remmler and featuring works by many of the most noted specialists on the subject, including Susan Niemann, Y. Michael Bodemann, Marion Kaplan, Katharina Ochse, Robin Ostow, Rafael Seligmann, Jack Zipes, ...
Departing from the recent critical literature on the emergence of a new German Jewry, this volume proposes a new perspective on the post-1980s phenomenon of re-emerging Jewish culture in Germany as a case study for wider developments in ...
By analysing objects like prayer books, musical instruments, Torah scrolls, audio documents and prayer rooms, this volume shows how the post-war communities created new Jewish musical, architectural and artistic forms while abiding by the ...
Together, these essays form a complex mosaic of German Jewry on the eve of its demise. “An excellent collection . . . well written and cogently argued.” —David N. Myers
Gershon , Karen . Postscript . London : Trinity Press , 1969 . ... Gilman , Sander and Karen Remmler , eds . Reemerging Jewish Culture in Germany . ... Englewood Cliffs , NJ : Prentice - Hall , Inc. , 1963 . Relations in Public .
Transcending Dystopia tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds.
By analysing objects like prayer books, musical instruments, Torah scrolls, audio documents and prayer rooms, this volume shows how the post-war communities created new Jewish musical, architectural and artistic forms while abiding by the ...
Focusing on individual authors from Heinrich Boll to Gunther Grass, Hermann Lenz to Peter Schneider, The Language of Silence offers an analysis of West German literature as it tries to come to terms with the Holocaust and its impact on ...
Gilman, Sander L./ Remmler, Karen (Eds.), Reemerging Jewish Culture in Germany. Life and Literature Since 1989, New York: NYU Press, 1994. Gilman, Sander L., The Jewish Body. A Foot-Note. In: People of the body. Jews and Judaism from an ...
Kein Weg als Deutscher und Jude ( No Path for a German and Jew ) . München : Ullstein Taschenbuch Verlag ... Jüdisches Leben in Deutshland seit 1945 ( Jewish Life in Germany since 1945 ) . ... Reemerging Jewish Culture in Germany .