12.5 million Africans were shipped to the New World during the Middle Passage. While just over 11.0 million survived the arduous journey, only about 450,000 of them arrived in the United States. The rest-over ten and a half million-were taken to the Caribbean and Latin America. This astonishing fact changes our entire picture of the history of slavery in the Western hemisphere, and of its lasting cultural impact. These millions of Africans created new and vibrant cultures, magnificently compelling syntheses of various African, English, French, Portuguese, and Spanish influences. Despite their great numbers, the cultural and social worlds that they created remain largely unknown to most Americans, except for certain popular, cross-over musical forms. So Henry Louis Gates, Jr. set out on a quest to discover how Latin Americans of African descent live now, and how the countries of their acknowledge-or deny-their African past; how the fact of race and African ancestry play themselves out in the multicultural worlds of the Caribbean and Latin America. Starting with the slave experience and extending to the present, Gates unveils the history of the African presence in six Latin American countries-Brazil, Cuba, the Dominican Republic, Haiti, Mexico, and Peru-through art, music, cuisine, dance, politics, and religion, but also the very palpable presence of anti-black racism that has sometimes sought to keep the black cultural presence from view.
While most Latin American countries have acknowledged the legacy of slavery, the story still told throughout the region is one of “racial democracy”—the supposedly successful integration and acceptance of African descendants into ...
Covering the last two hundred years, and including Spanish America, Brazil, and the Caribbean, this book examines how African-descended people made their way out of slavery and into freedom, and how, once free, they helped build social and ...
Organized by topic, these essays synthesize and present the current state of knowledge on a broad variety of topics, including Afro-Latin American music, religions, literature, art history, political thought, social movements, legal history ...
For over ten years, Race and Ethnicity in Latin America has been an essential text for students studying the region. This second edition adds new material and brings the analysis up to date.
Julia C. Hewitt, "Yoruba Presence in Contemporary Cuban Narrative" (Ph.D. diss., Vanderbilt University, 1981), 136. 8. ... Miguel Barnet, "The Culture That Sugar Cane Created," Latin American Literary Review 8, no. 16 (1980): 41. 15.
This book aims to highlight, how and why people of Afro-descendant living in Latin American and Caribbean, experience greater levels of racial discrimination, than African-American counterparts.
... exterminar la cultura y desde luego, su gente” (family relationships and friendships. In this context, the dynamics of the war are devastating because they threaten to exterminate the culture and with it, its people) (Bojayá 121).
A comprehensive study of African slavery in the colonies of Spain and Portugal in the New World.
The Image of the Black in Latin American and Caribbean Art: Book 1: from Colony to Nation
This book disrupts the traditional narrative of Latin America's legally benign racial past by comprehensively examining the existence of customary laws of racial regulation and the historic complicity of Latin American states in erecting ...