One of literature's greatest gifts is its portrayal of realistically drawn characters--human beings in whom we can recognize motivations and emotions. In Imagined Human Beings, Bernard J. Paris explores the inner conflicts of some of literature's most famous characters, using Karen Horney's psychoanalytic theories to understand the behavior of these characters as we would the behavior of real people. When realistically drawn characters are understood in psychological terms, they tend to escape their roles in the plot and thus subvert the view of them advanced by the author. A Horneyan approach both alerts us to conflicts between plot and characterization, rhetoric and mimesis, and helps us understand the forces in the author's personalty that generate them. The Horneyan model can make sense of thematic inconsistencies by seeing them as the product of the author's inner divisions. Paris uses this approach to explore a wide range of texts, including Antigone, "The Clerk's Tale," The Merchant of Venice, A Doll's House, Hedda Gabler, Great Expectations, Jane Eyre, The Mayor of Casterbridge, Wuthering Heights, Madame Bovary, The Awakening, and The End of the Road.
With The Book of Barely Imagined Beings, Caspar Henderson offers readers a fascinating, beautifully produced modern-day menagerie.
Bernard J. Paris is Professor Emeritus of English at the University of Florida and the author of a number of books, including Experiments in Life: George Eliot’s Quest for Values and Imagined Human Beings: A Psychological Approach to ...
The psychological approach employed by Paris helps the reader not only to grasp the intricacies of mimetic characterization, but also to make sense of thematic inconsistencies which occur in some of the books under consideration.
The medieval/Renaissance Platonist Nicholas of Cusa (1401–1464) developed explicitly the idea of creative participation in the Divine mind. Through his doctrine of the docta ignorantia, Nicholas attacks both the essentialism of ...
There is one undisputed historical fact about all scriptures, whether from India or from West Asia: They have been composed by real human beings, guided by the human imagination and human beliefs, during different periods over the past ...
The human imagination looks at the external world, it does not provides knowledge of our conscience, but of the surrounding world's figures. The primitive human being of Vico thinks at the level of imagination, and this imagination ...
Imagination is the real & eternal World of which this Vegetable Universe is but a faint shadow & in which shall live in our ... Zygmunt Bauman (2011) believes that without imagination, human beings are unable to be compassionate and are ...
RHONDDA, VISCOUNTESS, This Was My World, Macmillan, 1933. RIBOT, TH., Essay on the Creative Imagination, trans. A. N. N. Baron, Kegan Paul, Trench, Trubner & Co., 1906. RIMBAUD, A., 'Les Voyelles', Oeuvres Completes, Gallimard, (1946), ...
'Being precedes essence', Sartre famously begins (1957): each human being makes himself what he is, ... Because they can imagine, human beings are transcendentally free; imagination grants human beings that 'margin of freedom outside ...
Here we find some surprising echoes of the way in which human beings were once policed. But we also find another cultural terrain in which the pastoral government of humans as animals may be imagined, exercised, and resisted—a local ...