This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.
The volume brings together entries on elements of modernist culture, contemporary intellectual and aesthetic movements, and all the genres of modernist writing and art.
Bender , Todd K. Literary Impressionism in Jean Rhys , Ford Madox Ford , Joseph Conrad , and Charlotte Brontë . New York : Garland , 1997“ Conrad and Literary Impressionism . ” Conradiana 10.3 ( autumn 1978 ) : 211– 24 . " Jean Rhys and ...
See, for example, Michael Anesko, “Friction with the Market”: Henry James and the Profession of Authorship (New York, 1986); Mary Ann Gillies, The Professional Literary Agent in Britain, 1880–1920 (Toronto, 2007); David McWhirter, ed., ...
The year after Heart of Darkness was published in book form (1902), Ford's story 'The Baron (A Love Story)' appeared in Macmillan's magazine. This is a strange tale of national and emotional identity, madness, and love.
Vision and Memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair Rebecca Bowler ... 16 Todd K. Bender, Literary Impressionism in Jean Rhys, Ford Madox Ford, Joseph Conrad and Charlotte Brontë (London: Garland Publishing, ...
Ford, in fact, fuses two separate letters—one from October 23, in which Conrad responds to Ford's announcement ... Literary Impressionism in Jean Rhys, Ford Madox Ford, Joseph Conrad, and Charlotte Brontë (New York: Garland, 1997). 15.
T. K. Bender, Literary Impressionism in Jean Rhys, Ford Madox Ford, Joseph Conrad, and Charlotte Brontë (New York, NY: Garland, 1997), p. 57. See also Robert Hamson, who claims that the Fourth Dimensionist woman 'resembles a traveller ...
Life-Writing, Autobiografiction, and the Forms of Modern Literature Max Saunders ... My readings necessarily attend to the effects of such framing, and to how frames can produce mises en abymes. Here too, my account is necessarily ...
Achebe, Chinua (1988) '“An image of Africa”: Racism in Conrad's “Heart of Darkness”', in Hopes and Impediments: Selected ... Bender, Todd K. (1997) Literary Impressionism in Jean Rhys, Ford Madox Ford, Joseph Conrad and Charlotte Brontë ...
... notwithstanding the rise of such composers as Alexander Mackenzie, Hubert Parry, and Charles Villiers Stanford, England lagged behind Germany not only because it had produced 'no outstanding composers since Henry Purcell' but also ...