This second edition ofBela Bartok: A Guide to Researchpresents a concisely detailed history of Bartok's musical development, a catalogue of his compositions according to genre (including basic data on Bartok's publishers, achives, library collections, and catalogues), and 1200 annotated primary and secondary sources. A decade of scholarship since the first edition (1988) is included; over forty percent of the material in the second edition is new. Four indexes cover listings by author and title; Bartok's compositions and his editions and transcriptions of earlier keyboard works; proper names; and subjects. Primary sources include: Bartok's own essays, articles, lectures on folk music and art music, letters, and other documents; his folk music collections; facsimilies, reprints, and revisions of his music; and his own editions and transcriptions of earlier keyboard music. Secondary sources include: biographical and historical studies, specialized studies of his personality, philiosophy, andpolitical attitudes; theoretic, analytic, stylistic, and aesthetic studies of his music; discussions of folk music influences and art music influences; studies of his compositional process (based on autograph manuscripts, editions, and his own recordings); discussions of his orientation toward pedagogy; and discussions of insitutional sources for Bartok's research (including archival and bibliographic sources, special issues, festivals, conferences, colloquia, concert programs, and computerized data bases for Bartok analysis and research. This annotated, topically-organizedGuideis the most extensive bibliographical research tool on Bartok. It is the first to draw together the most important primary and secondary bibliographic sources, which cover his varied activities as composer, ethnomusicologist, pianist, pedagogue, linguist, and editor. It is significant not only for those interested in musicological research into Bartok's compositional and scholarly activities but also for those interestedin ethnomusicological research methodology in general, and the study of Eastern European, North African Arab, and Turkish folk music in particular.
A biography of the eighteen-century Austrian composer.
While detained in a German prison camp, a French composer is given a rare opportunity to write music again.
It is interesting to read this in Michael R. Booth's introduction to a volume of Robertson's plays : This audience [ at the Prince of Wales's ] did not seek to have its comfortable middle - class values challenged , nor was it sceptical ...
Casting must have been done in early winter, when Queenie Smith was free of her previous engagement, the musical Helen of Troy, which closed in New York on 1 December 1923.7 Smith, who went on to appear in further musicals, ...
Jahrbuch der Zeitschrift Opernwelt , Zürich , 1999 , S. 40-44 Rokeah , David : Du hörst es immer , Hanser , München , 1985 Roth , Markus : „ Der Gang ins Verstummen . Heinz Holligers Beiseit - Zyklus nach Robert Walser “ , in : Musik ...
A superb, illustrated account of the lives and works of the most respected and eminent classical composers through the ages
"Discover classical music through the ages, and the lives of the people who wrote and performed it.
Neil Diamond has been responsible for writing some of the most memorable songs in pop music history and he has sold in excess of 120 million albums.
A new, expanded edition of Richard Wagner's letters to his family.
46 , 62 , 63 , 69 , 70 , 76 , 83 , 84 , 87 , 91 , 93 , 101 , 124 , 126 , 130 , 131 , 134 , 166 , 167 , 183 , 186 , 187 , 195 , 200 , 212 , 217 , 228 - 231 , 241 , 244 , 281 , 284 , 333 , 465 , 497 Perales . 199 Pereda , José María .