Virginia Woolf's feminist-pacifist essay "Three Guineas," with its rallying cry to "Outsiders" - "As a woman, I have no country. As a woman I want no country. As a woman my country is the whole world" - has become a classic antiwar text. But Woolf's thinking on war began right at the start of her career, and this stimulating and diverse collection of essays is the first book to explore how ideas about war and conflict informed Virginia Woolf's writing, from her early reviews to her posthumous work, Between the Acts.
The essays, by twelve established Woolf scholars and new voices from the United States, Japan, and England, seek to show the roots of Woolf's sensitivity to violence and how she began from the start to connect the myths and the realities of war with the private violence of the patriarchal family.
Dispelling the myth that Woolf was "apolitical," these essays bring to light her profound concern with the daily realities of statecraft, with the political and ethical implications of aesthetics, and with the effects of war on the homefront. The essays reveal new evidence of Woolf's collaboration with her husband, Leonard, on the "war for peace," and present new readings of her novels that convincingly identify Woolf as a major antiwar novelist.
This volume will be of interest to anyone seeking to understand the connections between feminism and pacifism, gender and war, and ethics and aesthetics.
I owe special thanks to Bruce Martin and Evelyn Timberlake ( at the Library of Congress ) ; Philip Milato and Steve Crook ( at the Berg Collection ) ...
She details how these works and Woolf's own daily records fortified the writer in her struggle with her most difficult work, The Waves. In these years Woolf also relied on diaries as she wrote The Years, Three Guineas, and Between the Acts.
They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.
In the war poets' harrowing turns on the genre, savage ironies all but eclipse consolation: Wilfred Owen's nightmarish “Dulce et Decorum Est”; the proleptic self-elegies of Rupert Brooke (“The Soldier”), Isaac Rosenberg (“Break of Day ...
After the Women's International Congress of the Hague in April 1915 caused a split to occur in the NUWSS over education for Peace and support for that meeting , Marshall helped to found the British section of the Women's International ...
WHAT TO DO with such knowledge as photographs bring of faraway suffering? People are often unable to take in the sufferings of those close to them. (A compelling document on this theme is Frederick Wiseman's film Hospital.) ...
Pound, the Paris correspondent at the time, hoped it would be the first of four regular pieces from the philosopher, and James Sibley Watson, one of the new owners of the review, advertised Unamuno as a member of the journal's new ...
Theme of Peace and War in Virginia Woolf's Writings : Essays on Her Political Philosophy
"Virginia Woolf, Europe, and Peace: Transnational Circulations enlarges our understanding of Virginia Woolf's pacifist ideology and aesthetic response to the European wars by re-examining her writings and cultural contexts transnationally ...
Virginia Woolf's War Trilogy: Anticipating Three Guineas