Selected for Arab America's Best Arab American Books of 2020 list. It comes as little surprise that Hollywood films have traditionally stereotyped Arab Americans, but how are Arab Americans portrayed in Arab films, and just as importantly, how are they portrayed in the works of Arab American filmmakers themselves? In this innovative volume, Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted. Hollywood films have fostered reductive imagery of Arab Americans since the 1970s as either a national security threat or a foreign policy concern, while Egyptian filmmakers have used polarizing images of Arab Americans since the 1990s to convey their nationalist critiques of the United States. Both portrayals are rooted in anxieties around globalization, migration, and US-Arab geopolitics. In contrast, Arab American cinema provides a more complex, realistic, and fluid representation of Arab American citizenship and the nuances of a transnational identity. Exploring a wide variety of films from each cinematic site, Mahdi traces the competing narratives of Arab American belonging—how and why they vary, and what’s at stake in their circulation.
Opening credits state that director Horne plays the chief of the Riff-Raff, “Abul Kasim K'Horne.” Scene: The desert. Stan and Ollie arrive at the Legion fort. An Arab warns the Colonel that Bedouin “are preparing to make an attack.
Choice: Publication of the Association of College and Research Libraries, a Division of the American Library Association
This book seeks to unsettle current conversations within Arab American Studies that neglect aesthetics as a set of choices and constraints.
In this thought-provoking book, Tim Jon Semmerling further dismantles the "evil" Arab stereotype by showing how American cultural fears, which stem from challenges to our national ideologies and myths, have driven us to create the "evil" ...
Analyzing how TV dramas such as The Practice, 24, Law and Order, NYPD Blue, and Sleeper Cell, news-reporting, and non-profit advertising have represented Arabs, Muslims, Arab Americans, and Muslim Americans during the War on Terror, this ...
A is for Arab: Archiving Stereotypes in U.S. Popular Culture features photographs of objects and materials from the Jack G. Shaheen Archive at Tamiment Library & Robert F. Wagner Labor Archives, and documents U.S. popular culture ...
“Nothing will be the same again.” Americans scarred by the experience of 9/11 often express this sentiment. But what remains the same, argues Jack Shaheen, is Hollywood’s stereotyping of Arabs.
Harrison and Villa-Ignacio, “Introduction: Souffles-Anfas for the New Millennium,” 5–6. The Mashriq is the Arabic term for the eastern part of the Arab world, comprising the area from Egypt to Iraq. Deriving from the verb sharaqa (“to ...
A groundbreaking book that dissects a slanderous history dating from cinema’s earliest days to contemporary Hollywood blockbusters that feature machine-gun wielding and bomb-blowing "evil" Arabs Award-winning film authority Jack G....
Beginning with early Arab American playwright, poet and novelist Kahlil Gibran and concluding with contemporary playwright Yussef El Guindi, this book provides an historical overview and critical analysis of the plays, films and ...