With characteristic lawlessness and connection to the common man, the figure of the rogue commanded the world of Irish fiction from 1660 to 1790. During this period of development for the Irish novel, this archetypal figure appears over and over again. Early Irish fiction combined the picaresque genre, focusing on a cunning, witty trickster or pícaro, with the escapades of real and notorious criminals. On the one hand, such rogue tales exemplified the English stereotypes of an unruly Ireland, but on the other, they also personified Irish patriotism. Existing between the dual publishing spheres of London and Dublin, the rogue narrative explored the complexities of Anglo-Irish relations. In this volume, Lines investigates why writers during the long eighteenth-century so often turned to the rogue narrative to discuss Ireland. Alongside recognized works of Irish fiction, such as those by William Chaigneau, Richard Head, and Charles Johnston, Lines presents lesser-known and even anonymous popular texts. With consideration for themes of conflict, migration, religion, and gender, Lines offers up a compelling connection between the rogues themselves, marked by persistence and adaptability, and the ever-popular rogue narrative in this early period of Irish writing.
Brown, Karen E. The Yeats Circle, Verbal and Visual Relations in Ireland, 1880–1939. Farnham: Ashgate, 2011. Brown, Michael, and Seán Patrick Dolan, eds. The Laws and Other Legalities of Ireland, 1689–1850. Abingdon: Routledge, 2011 ...
The Rogue Narrative and Irish Fiction, 1660–1790 Joe Lines Stepping through Origins: Nature, Home, and Landscape in Irish Literature Jefferson Holdridge Unaccompanied Traveler: The Writings of Kathleen M. Murphy Patrick Bixby, ed.
Similarly, Donna Potts's book Contemporary Irish Poetry and the Pastoral Tradition (2011) examines elegy in relation to nature, but focuses explicitly on contemporary poetry. The Ordnance Survey and Modern Irish Literature (2016), ...
The Rogue Narrative and Irish Fiction, 1660–1790 Joe Lines Science, Technology, and Irish Modernism Kathryn Conrad, Cóilín Parsons and Julie McCormick Weng, eds. For a full list of titles in this series, ...
Fifteen years later a student of R. S. Loomis's , Sheila McHugh , without making reference to Brown's work , devoted a master's thesis toward demonstrating that the youthful adventures of Fionn were the basis of Sir Perceyvelle ...
Éirenn / ep'ən / ( n , f ) Ireland cú / ku , gen . con / kov / ( n , m ) hound rétglu / r'ēdyầu / ... noble ' → úaislem / uasa'əu / ' highest , noblesť Note also cases where syncope has already taken place somewhere else in the word ...
... County Galway, had a sister working in domestic service in Boston who was lonely and wanted someone from home to join her, so Kathleen's mother ordered her to “pack her bags and go to Boston” in 1929 (McDonagh 2002) (see ill.
R , Fr Michael , 397 , 398 transfer of , 398 O'Connor , Rory , 49 O'Connor , Seán , 396 , 397 Ó Dálaigh ... 67 O'Neill , Bishop , 272 O'Duffy , Seán , 80 O'Neill , Hugh , 26 Ó Faoláin , Seán , 159 , 165 , 242 O'Neill , Joseph , 139 ...
This work provides an overview of Irish theatre, read in the light of Ireland's self-definition.
Anchored in both canonical and emerging themes, this collection draws on established Irish studies discussions while emphasizing what is new and distinct about Irish crime fiction.