How did men become the stars of the Mexican intellectual scene? Dude Lit examines the tricks of the trade and reveals that sometimes literary genius rests on privileges that men extend one another and that women permit. The makings of the “best” writers have to do with superficial aspects, like conformist wardrobes and unsmiling expressions, and more complex techniques, such as friendship networks, prizewinners who become judges, dropouts who become teachers, and the key tactic of being allowed to shift roles from rule maker (the civilizado) to rule breaker (the bárbaro). Certain writing habits also predict success, with the “high and hard” category reserved for men’s writing and even film directing. In both film and literature, critically respected artwork by men tends to rely on obscenity interpreted as originality, negative topics viewed as serious, and coolly inarticulate narratives about bullying understood as maximum literary achievement. To build the case regarding “rebellion as conformity,” Dude Lit contemplates a wide set of examples while always returning to three figures, each born some two decades apart from the immediate predecessor: Juan Rulfo (with Pedro Páramo), José Emilio Pacheco (with Las batallas en el desierto), and Guillermo Fadanelli (with Mis mujeres muertas, as well as the range of his publications). Why do we believe Mexican men are competent performers of the role of intellectual? Dude Lit answers this question through a creative intersection of sources. Drawing on interviews, archival materials, and critical readings, this provocative book changes the conversation on literature and gendered performance.
These are the things that will be with you forever.... These are the things that will follow you a thousand miles away.
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı.
We're All Damaged begins after Andy has lost his job, ruined his best friend's wedding, and moved to New York City, where he lives in a tiny apartment with an angry cat named Jeter that isn't technically his.
"This volume provides a decolonial framework for reading Maya and Indigenous texts"--Provided by publisher.
These are among the deadly feats of natural engineering you'll witness in The Red Hourglass, prize-winning author Gordon Grice's masterful, poetic, often dryly funny exploration of predators he has encountered around his rural Oklahoma home ...
NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search ...
. . Thomas’s urgent, quicksilver prose makes even the darkest moments of this novel shine.” —O, The Oprah Magazine
“I Heard a Fly Buzz,” with its dashes and line breaks that mark time in Dickinson's signature way, takes up space; it becomes a kind of room that the reader inhabits in the time it takes her to read the poem.
... Geronimo's language of calling U.S. and Mexican oppressors “white eyes,” without impli- cating himself in the moral failing. Nevertheless, the petro-complicity that I have been discussing regarding park visitors with their paperwork ...
Carol Clark D'Lugo's The Fragmented Novel in Mexico: The Politics of Form is a useful resource for establishing a literary history of the fragment as a metaphor for national identity. From a general discussion of fragmented narrative ...