Shakespeare's The Tempest has long been claimed by colonials and postcolonial thinkers alike as the dramatic work that most enables them to confront their entangled history, recognized as early modernity's most extensive engagement with the vexing issues of colonialism--race, dispossession, language, European displacement and occupation, disregard for native culture. Tempest in the Caribbean reads some of the "classic" anticolonial texts--by Aime Cesaire, Roberto Fernandez Retamar, George Lamming, and Frantz Fanon, for instance--through the lens of feminist and queer analysis exemplified by the theoretical essays of Sylvia Wynter and the work of Michelle Cliff. Extending the Tempest plot, Goldberg considers recent works by Caribbean authors and social theorists, among them Patricia Powell, Jamaica Kincaid, and Hilton Als. These rewritings, he suggests, and the lived conditions to which they testify, present alternatives to the masculinist and heterosexual bias of the legacy that has been derived from The Tempest. By placing gender and sexuality at the center of the debate about the uses of Shakespeare for anticolonial purposes, Goldberg's work points to new possibilities that might be articulated through the nexus of race and sexuality. Place sexuality at the center of Caribbean responses to Shakespeare's play.
Based on true events, this story is a word of hope to anyone who feels they have come to the end of their ability to go on.
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The proceedings of a colloquium held at the Navy Historical Center. Papers include: Prelude to the Storm: The U.S. Navy and the Dominican Republic, 1959-1964, by Dr. Theresa L. Kraus;...
Cuban Foreign Policy: Caribbean Tempest
Marshall, Gail, ed. Shakespeare in the Nineteenth Century. Cambridge: Cambridge UP, 2012. Marshall, Gail and Adrian Poole, eds. Victorian Shakespeare, Volumes 1 and 2. New York: Palgrave, 2003. Marshall, Gail and Philip Shaw.
A casebook of the ways the Shakespeare play has been reinterpreted time and time again.
The text is usefully compared with Claude McKay's A Long Way from Home as a self - study of the Caribbean writer as traveler and expatriate . Unlike McKay , however , Lamming remains heavily invested in defining the parameters of the ...
A Tempest is Aimé Césaire's anti-colonialist refashioning of Shakespeare. Alongside The Tragedy of King Cristophe and A Season in the Congo, it completes a 'triptych' of plays that examine the...
Set on a Caribbean island in the grip of colonialism, this novel is “masterful . . . simply wonderful . . . [an] exquisite retelling of The Tempest” (Kirkus Reviews, starred review).
In fact, this literary work is a postcolonialist, postrealist and postnationalist counter-discourse because it gives us Lamming's glimpse of the complex issues of identity contained within the Caribbean island-states that were largely ...