Events of the past decade have dramatically rewritten the American national narrative, bringing to light an alternate history of nation, marked since the country's origins by competing geopolitical interests, by mobility and migration, and by contending ethnic and racial groups. In this revised and expanded edition of Film Nation, Robert Burgoyne analyzes films that give shape to the counternarrative that has emerged since 9/11--one that challenges the traditional myths of the American nation-state. The films examined here, Burgoyne argues, reveal the hidden underlayers of nation, from the first interaction between Europeans and Native Americans (The New World), to the clash of ethnic groups in nineteenth-century New York (Gangs of New York), to the haunting persistence of war in the national imagination (Flags of Our Fathers and Letters from Iwo Jima) and the impact of the events of 9/11 on American identity (United 93 and World Trade Center). Film Nation provides innovative readings of attempts by such directors as Martin Scorsese, Clint Eastwood, and Oliver Stone to visualize historical events that have acquired a mythical aura in order to open up the past to the contemporary moment.
Film Nation exposes the fault Robert Stam and Sandy lines between national myths and the Flitterman - Lewis , of New historical experience of people typically Vocabularies in Film Semiotics . excluded from those myths .
The British heritage film : nation and representation -- Production cycles and cultural significance : a European heritage film? -- Narrative aesthetics and gentered histories : renewing the heritage film -- Afterword: tradition and change.
This book looks at representations of "e;Mexicanity"e; in Mexican cinema and also in Hollywood throughout the twentieth century and beyond, arguing that the international context plays at least as important a role as ethnicity, religion and ...
This book looks at representations of "e;Mexicanity"e; in Mexican cinema and also in Hollywood throughout the 20th century and beyond, arguing that the international context plays at least as important a role as ethnicity, religion and ...
An innovative collection of original essays on Jane Campion, renowned female auteur filmmaker.
In this study, Aaron Gerow focuses on the early period in which the institutional and narrational structure of Japanese cinema was in flux, arguing that the transnational intertext is less important than the power-laden operations by which ...
Financing production in a national film economy system relies on reinvesting revenue from distribution and operation in production. This was how Uzbekkino had hitherto gotten by, despite its problems in managing and organizing work.
Indian Popular Cinema, Nation, and Diaspora Rini Bhattacharya Mehta, Rajeshwari V. Pandharipande. catchphrase. The Bollywood 'superstar' Amitabh Bachchan's insistence that Mehndi perform live along with him for Mrityudaata (I997), ...
Cinema and Nation considers the ways in which film production and reception are shaped by ideas of national belonging and examines the implications of globalisation for the concept of national cinema.
Mexican Melodrama offers a timely look at critically acclaimed films that serve as key referents in discussions of Mexican cinema.