The richly illustrated essays in Cabinet of Curiosities records the creative processes behind an installation designed by contemporary artist Mark Dion at the Frederick R. Weisman Art Museum at the University of Minnesota, a collaboration of museum staff, students, and collection curators. Drawing from university collections, Dion and the curators chose seven hundred objects representative of the state’s history, ranging from a Bierstadt painting of Minnehaha Falls to Hubert Humphrey memorabilia, as well as objects that would have fascinated Renaissance viewers—such as mirrors and the world’s smallest plant—and arranged them into categories typical of Renaissance inquiry, such as the Underworld, the Sea, Humankind, and the Library. Together, the cabinets represented the university in miniature, just as their Renaissance precursors had attempted to represent microcosms of the world. Cabinet of Curiosities offers commentary on the ways in which collecting has undergirded the creation of knowledge within universities and in Western society. Colleen J. Sheehy is director of education at the Frederick R. Weisman Art Museum and associate faculty in American studies and art history at the University of Minnesota. Published in cooperation with the Frederick R. Weisman Art Museum
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...