This comprehensive anthology will be the standard source for the study of African American public address for years to come. For Americans of the 19th century, as W. E. B. Du Bois observed, eloquent speeches were 'the shining lights of civilization' that both expressed and sought to improve the lives and communities from which they sprang. Through political speeches, sermons, lectures, oral testimonies, and ceremonial addresses, African Americans offered diverse responses to the issues and events of their times, including not only slavery and racial equality but also women's rights, education, religion, immigration, socialism, war, Indian policy, and labor organization, among others. The speeches in this collection are among the most powerful expressions of African American opinions on these issues and were delivered on occasions and before audiences where the speakers believed their words might be transformative. "Lift Every Voice" is a completely revised, updated, and expanded version of Philip Foner's 1972 classic Voice of Black America, which Library Journal hailed as "indispensable.""This well-edited and richly inclusive work," wrote Benjamin Quarles, "unveils the full sweep of Black expression as found in platform addresses" by "men and women who join eloquence with reason in articulating their grievances and their aspirations and in arousing their listeners with their ringing and prophetic challenges." This new collection includes over 60 additional texts and revised and expanded introductory essays that provide historical, biographical, and critical information for each speech. Containing more than 150 speeches, this anthology represents the most extensive and diverse collection of African American oratory of the 18th and 19th centuries ever published. "Lift Every Voice" makes readily accessible not only the classic orations of such well-known figures as Frederick Douglass, Sojourner Truth, and Booker T. Washington but also dozens of lesser-known but important speeches deserving greater recognition and study. Many of these speeches are previously unpublished, uncollected, or long out of print.
The former nominee for assistant attorney general for civil rights discusses her views.
In Lift Every Voice and Swing, Vaughn A. Booker argues that with the emergence of these popular jazz figures, who came from a culture shaped by Black Protestantism, religious authority for African Americans found a place and spokespeople ...
Illustrations and easy-to-read text follow a family through five generations as each is inspired by the song written in 1900 to honor Abraham Lincoln. Includes author's note on the history of the song and its meaning in her family.
II:B137; Adam Fairclough, “Thurgood Marshall's Pursuit of Equality Through Law,” in Preston King and Walter Earl Fluker, Black Leaders and Ideologies in the South: Resistance and ... 55 George Hatcher, “Rural Vote Gave Talmadge Victory ...
In this rich, poignant, and readable work, Imani Perry tells the story of the Black National Anthem as it traveled from South to North, from civil rights to black power, and from countless family reunions to Carnegie Hall and the Oval ...
With contributors including John Hope Franklin, Jesse Jackson, Maya Angelou, Norman Lear, Maxine Waters, and Percy Sutton, this volume is a personal tribute to the enduring power of an anthem.
This popular collection of 280 musical pieces from both the African American and Gospel traditions has been compiled under the supervision of the Office of Black Ministries of the Episcopal Church.
With linocuts of renowned Harlem Renaissance artist Elizabeth Catlett, this text and art pairing captures the achievements, spirit, joy, and struggle of the African-American experience.
Throughout the 1900s, the song "Lift Every Voice and Sing" evolved into an anthem for black people in the United States. The Story of the Black National Anthem explores the history and the legacy of this uplifting song.
An introduction paints a picture of 100 years of the city's history. The book includes portraits of each person profiled by Wiley Price, a prizewinning photojournalist for the St. Louis American.