A broadly interdisciplinary study of the pervasive secrecy in America cultural, political, and religious discourse. The occult has traditionally been understood as the study of secrets of the practice of mysticism or magic. This book broadens our understanding of the occult by treating it as a rhetorical phenomenon tied to language and symbols and more central to American culture than is commonly assumed. Joshua Gunn approaches the occult as an idiom, examining the ways in which acts of textual criticism and interpretation are occultic in nature, as evident in practices as diverse as academic scholarship, Freemasonry, and television production. Gunn probes, for instance, the ways in which jargon employed by various social and professional groups creates barriers and fosters secrecy. From the theory wars of cultural studies to the Satanic Panic that swept the national mass media in the late 1980s and early 1990s, Gunn shows how the paradox of a hidden, buried, or secret meaning that cannot be expressed in language appears time and time again in Western culture. These recurrent patterns, Gunn argues, arise from a generalized, popular anxiety about language and its limitations. Ultimately, Modern Occult Rhetoric demonstrates the indissoluble relationship between language, secrecy, and publicity, and the centrality of suspicion in our daily lives.
Ryan J. Stark presents a spiritually sensitive, interdisciplinary, and original discussion of early modern English rhetoric. He shows specifically how experimental philosophers attempted to disenchant language
... owe the suggestion that Ashgate Publishing Company might be interested in my manuscript, and the editors at Ashgate, particularly Ann Donahue, have been resourceful and steadily helpful in bringing this project to completion.
The Essays of Arthur Schopenhauer. Translated by T. Bailey Saunders. New York: Willey Books, 1935. ———. Religion: A Dialogue, and Other Essays. Translated by T. Bailey Saunders. New York: Macmillan, 1899. Schwab, Richard N. Introduction ...
This book presents a selective, introductory reading of key texts in the history of magic from antiquity forward, in order to construct a suggestive conceptual framework for disrupting our conventional notions about rhetoric and literacy.
This book synthesizes Jacques Derrida’s hauntology and spectrality with affect theory, in order to create a rhetorical framework analyzing the felt absences and hauntings of written and oral texts.
Although it sometimes appears as if occultism of the Theosophical kind is the main occult inspiration for ... several works incorporating 'secret' hieroglyphs and signs, which were clearly inspired by the Martian script of Hélène Smith.
... occultism in the cultural landscape of late imperial Russia . Occult ideas and practices were focused around specialized journals or instruction manuals ... occultist was tricky . When it came 10 MODERN OCCULTISM in LATE IMPERIAL RUSSIA.
Modern Alchemy chronicles several encounters between occult conceptions of alchemy and the new science, describing how academic chemists, inspired by the alchemy revival, attempted to transmute the elements; to make gold.
... discourse, then, has much in common with the occult. Over the course of Modern Occult Rhetoric, Joshua Gunn describes the process by which theosophy and other occult rhetorics rose to prominence during the late nineteenth century. Occultic ...
This interpretation caused important roots in occult-esoteric traditions to be repressed. This process of “purification” (Latour) is not to be equated with the origin of the academic studies.