Tells the stories of Professor Longhair, Fats Domino, Allen Toussaint, and Dr. John, and traces the development of New Orleans' music
Samuel Charters has been studying and writing about New Orleans music for more than fifty years. A Trumpet around the Corner: The Story of New Orleans Jazz is the first book to tell the entire story of a century of jazz in New Orleans.
In 1716, Bienville had orders to build a fort securing Crozat's deerskin warehouse at the tan-colored bluffs of Natchez, 250 miles upriver from the Gulf, furthering trade with Indians. Natchez, with its fertile prairie, was named for ...
Jason Berry , Jonathan Foose , and Tad Jones , Up from the Cradle of Jazz ( Athens : University of Georgia Press , 1986 ) , 210 , 218 . 11. Quoted in Helen Joy Mayhew , “ New Orleans Black Musical Culture : Tradition and the Individual ...
Time Passages: Collective Memory and American Popular Culture
This volume contains rare photographs from the Louisiana State Museum's Jazz Collection, lovingly assembled and accompanied by captions written by award-winning author and Jazz Roots radio show host Tom Morgan.
Louisiana Saturday Night takes the reader to both offbeat and traditional venues in and around Baton Rouge, Cajun country, and New Orleans, where we hear the distinctive voices of musicians, patrons, and owners -- like Teddy Johnson, born ...
The volume also includes writings from earlier eras to show how changing perspectives have enabled older concepts and debates to emerge in different contexts, casting new light on their significance and impact.
... with the philosophies and activism of Saul Alinsky, Myles Horton, and Paolo Freire. See Civic Engagement in the Wake of Katrina, 13. 3. Dinerstein, “Second Lining Post-Katrina,” 625; Shaila Dewan, “With the Jazz Funeral's Return, ...
Instant's “I'm Your Hoochie Coochie Man” remake followed two similarly funky recent records by New Orleans artists, Jean Knight's “Mr. Big Stuff” and King Floyd's “Groove Me,” both arranged by Wardell Quezergue. Both records were hits.
The Wild Tchoupitoulas do not appear in The Black Indians of New Orleans, but they are featured in two other prominent films from these years, Always for Pleasure (1978) and Up from the Cradle of Jazz (1980). An expository documentary ...