Trappist monk and best-selling author, Thomas Merton battled constantly within himself as he attempted to reconcile two seemingly incompatible roles in life. As a devout Catholic, he took vows of silence and stability, longing for the security and closure of the monastic life. But as a writer he felt compelled to seek friendships in literary circles and success in the secular world. In Thomas Merton's Art of Denial, David D. Cooper traces Merton's attempts to reach an accommodation with himself, to find a way in which "the silence of the monk could live compatibly with the racket of the writer." From the roots of this painful division in the unsettled early years of Merton's life, to the turmoil of his directionless early adult years in which he first attempted to write, he was besieged with self-doubts. Turning to life in a monastery in Kentucky in 1941, Merton believed he would find the solitude and peace lacking in the quotidian world. But, as Merton once wrote, "An author in a Trappist monastery is like a duck in a chicken coop. And he would give anything in the world to be a chicken instead of a duck." Merton felt compelled to choose between life as either a less than perfect priest or a less prolific writer. Discovering in his middle years that the ideal monastic life he had envisioned was an impossibility, Merton turned his energies to abolishing war. It was in this pursuit that he finally succeeded in fusing the two sides of his life, converting his frustrated idealism into a radical humanism placed in the service of world peace. Here is a portrait of a man torn between the influence of the twentieth century and the serenity of the religious ideal, a man who used his own personal crises to guide his youthful ideals to a higher purpose.
Instead there is a spectrum of evolutionary progress, from the molecule to the human, with increasing levels of freedom.180 Process theologian David Ray Griffin first developed process theodicy and dealt with it comprehensively in his ...
Merton's Art of Denial: The Evolution of a Radical Humanist (Athens: University of Georgia Press, 1989). 4. Cooper, Thomas Merton's Art of Denial, 93. 5. Thomas Merton, The Seven Storey Mountain (New York: Harcourt Brace, 1948), 108. 6.
The thirty-year correspondence between the religious writer and his faithful publisher traces the widening of Merton's focus from the internal to the social and global, and the development of his consciousness of himself as a public writer.
One, My Argument with the Gestapo, eventually appeared in print in 1969 with the subtitle, A Macaronic Journal. This referred to Merton's frequent introduction of dialogue in a mixture of various European languages as well as to the ...
In Thomas Merton and the Inclusive Imagination, Ross Labrie reveals the breadth of Merton's intellectual reach by taking an original and systematic look at Merton's thought, which is generally regarded as eclectic and unsystematic.
Includes excerpts from "Seven storey mountain", "Conjectures of a guilty bystander" and many other works including a chronology of Merton's life.
The International Thomas Merton Society holds biennial conferences in both the United States and the United Kingdom. Its publications, The Merton Annual: Studies in Culture, Spirituality, and Social Concerns and The Merton Seasonal: A ...
“We Are All Called to Be Saints: Thomas Merton, Dorothy Day and Friendship House. ... The Man in the Sycamore Tree: The Good Times and Hard Life of Thomas Merton. ... Shannon, William H. Thomas Merton's Dark Path.
It is no small irony to a visitor at the Gethsemani cemetery today to see Dom James buried next to Merton's grave. ... Cooper, Thomas Merton's Art of Denial, 56–57. 80. Mott, Seven Mountains of Thomas Merton, 288–89. 81.
Quoted in Cooper, David D., Thomas Merton's Art of Denial: The Evolution of a Radical Humanist (Athens and London: Uni— versity of Georgia Press, 1989), pp. 139—40. 5. Shannon, William H., ed., The Hidden Ground ofLove: Letters ...