This study treats comprehensively the sixteen short works of fiction that Herman Melville wrote between 1853 and 1856, most of which were published in Harper's and Putnam's magazines. Concentrating on the writer's two basic motivations for writing as he did in these stories, Dillingham argues that Melville created a surface of almost inane congeniality in many of the works, an illusion of vapidity that camouflages a profundity often missed by his readers. He sought to to hide disturbing themes because the magazines for which he was writing would almost certainly have rejected his attempts to be more direct. Dillingham's method is not, however, confined to a reading of the texts. Melville's stories contain so many allusions to the contemporary scene that they constitute in themselves a cultural study. An important contribution of Melville's Short Fiction is its discussion of these allusions. Finally, Dillingham examines the relationship between the short fiction and Melville's own life. Much of the writer's frustration and struggle is concealed in these early works. Melville's friendship with Hawthorne, for example, an intense and yet in some ways disappointing relationship for both men, is explored as an important influence on several of the stories.
I owe special thanks to Bruce Martin and Evelyn Timberlake ( at the Library of Congress ) ; Philip Milato and Steve Crook ( at the Berg Collection ) ...
... Alice: “In Search of Our Mothers' Gardens” 157 Warwick Prize for Women in Translation 38 Wertenbaker, Timberlake 21 Wilson, Emily (trans.
HENRY TIMBERLAKE'S CHEROKEE WAR SONG 1. That Timberlake's memoir contains the first English translation of the words of a Native American song seems to have ...
“Justin Timberlake, 'The 20/20 Experience': Is There a Visual Preference for Whiteness?” Interview with Marc Lamont Hill. HuffPost Live, 27 March 2013.
Thompson , E . in Pollard 1923 . Thompson , J . Shakespeare and the Classics , 1952 . Tillyard , E . Shakespeare ' s History Plays , 1944 . Timberlake , P ...
In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic ...
Similarly, he deplored the picturestories of A. B. Frost in his Stuff and Nonsense ... When he'd eaten eighteen, He turned perfectly green, Upon which he ...
Renew'd by ordure's sympathetic force, As oil'd with magic juices for the course, ... William Frost (1953; reprint, New York: Holt, Rinehart and Winston, ...
D'Albertis, Luigi. New Guinea: What I Did and What I Saw. 2 vols. London: S. Low, Marston, Searle & Rivington, 1881. First published 1880.
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