Critics have long recognized the links between community festivals and literary art. The comedies and tragedies of the ancient Greeks grew out of their festivals; Anglo-Saxon poetry was often read at festival occasions; and the structural patterns of renaissance drama are inseparable from their festive origins. In The Life of the Party, Christopher Ames argues that the private party has become the festival of modern culture and has served as a shaping force in the fiction of many important twentieth century writers. Drawing upon and extending theories of Mikhail Bakhtin and others, Ames contends that parties have inherited much of the spirit and social function of festivals and carnivals. In these "controlled transgressions," ordinary rules of behavior are set aside for a short time, permitting excess and including (usually in veiled form) a ritual encounter with death, as well as a cathartic return to the normal social order when the party ends. In the experimental fiction of James Joyce and Virginia Wolf, the mingling of many voices at the party challenges both social and narrative decorum. For F. Scott Fitzgerald, Evelyn Waugh, and Henry Green, the party becomes a microcosm of a decadent society and informs a festive vision characteristic of the literature that emerged between the wars. And in postmodern works by Thomas Pynchon and Robert Coover, the novelists celebrate the disruptive and liberating force of parties even as they illustrate the dangers of chaos through scenes of the party-gone-wild. With its creative application of literary theory and ethnographic studies of festival, The Life of the Party demonstrates the persistence of the festive vision and its significance in the evolution of modern fiction.
I owe special thanks to Bruce Martin and Evelyn Timberlake ( at the Library of Congress ) ; Philip Milato and Steve Crook ( at the Berg Collection ) ...
... Alice: “In Search of Our Mothers' Gardens” 157 Warwick Prize for Women in Translation 38 Wertenbaker, Timberlake 21 Wilson, Emily (trans.
HENRY TIMBERLAKE'S CHEROKEE WAR SONG 1. That Timberlake's memoir contains the first English translation of the words of a Native American song seems to have ...
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Thompson , E . in Pollard 1923 . Thompson , J . Shakespeare and the Classics , 1952 . Tillyard , E . Shakespeare ' s History Plays , 1944 . Timberlake , P ...
In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic ...
Similarly, he deplored the picturestories of A. B. Frost in his Stuff and Nonsense ... When he'd eaten eighteen, He turned perfectly green, Upon which he ...
Renew'd by ordure's sympathetic force, As oil'd with magic juices for the course, ... William Frost (1953; reprint, New York: Holt, Rinehart and Winston, ...
D'Albertis, Luigi. New Guinea: What I Did and What I Saw. 2 vols. London: S. Low, Marston, Searle & Rivington, 1881. First published 1880.
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