Mary Turner and the Memory of Lynching traces the reaction of activists, artists, writers, and local residents to the brutal lynching of a pregnant woman near Valdosta, Georgia. In 1918, the murder of a white farmer led to a week of mob violence that claimed the lives of at least eleven African Americans, including Hayes Turner. When his wife Mary vowed to press charges against the killers, she too fell victim to the mob. Mary's lynching was particularly brutal and involved the grisly death of her eight-month-old fetus. It led to both an entrenched local silence and a widespread national response in newspaper and magazine accounts, visual art, film, literature, and public memorials. Turner's story became a centerpiece of the Anti-Lynching Crusaders campaign for the 1922 Dyer Bill, which sought to make lynching a federal crime. Julie Buckner Armstrong explores the complex and contradictory ways this horrific event was remembered in works such as Walter White's report in the NAACP's newspaper the Crisis, the “Kabnis” section of Jean Toomer's Cane, Angelina Weld Grimké's short story “Goldie,” and Meta Fuller's sculpture Mary Turner: A Silent Protest against Mob Violence. Like those of Emmett Till and Leo Frank, Turner's story continues to resonate on multiple levels. Armstrong's work provides insight into the different roles black women played in the history of lynching: as victims, as loved ones left behind, and as those who fought back. The crime continues to defy conventional forms of representation, illustrating what can, and cannot, be said about lynching and revealing the difficulty and necessity of confronting this nation's legacy of racial violence.
Through hauntingly detailed full-color artwork and collage, Elegy for Mary Turner names those who were killed, identifies the killers, and evokes a landscape in which the NAACP investigated the crimes when the state would not and a time ...
Chapter 7: Trouble in Paradise 159 “seven hundred dancers”: Wilson and Cohassey, Toast of the Town, 113. In this fabulous book Wilson details the events on June 20, including Leo Tipton's announcement to the crowd at the Forest Club ...
Claude McKay, Harlem Shadows: The Poems of Claude McKay (New York: Harcourt, Brace, 1922), p. 51. 32. Lorraine Hansberry, “Lynchsong,” Masses and Mainstream 4, no. 7 (July 1951): pp. 19-20. Angela Y. Davis compared Hansberry's poem ...
Frequently reissued with the same ISBN, but with slightly differing bibliographical details.
Gathered here are works by some of the most influential writers to engage issues of race and social justice in America, including James Baldwin, Flannery O'Connor, Amiri Baraka, and Nikki Giovanni.
The Politics of Memory Evelyn M. Simien. in The signs Artists Grimké, ... Claudia Tate, Domestic Allegories of Political Desire: The Black Heroine's Text at the Turn ofthe Century (NewYork: Oxford University Press, 1992),217. 32.
This story of a personal and national legacy is a powerful reminder that while the past is gone, we still live in its wake.
After being accused of killing a young white man and sexually abusing his girlfriend, three black teenagers were dragged from the jail by an angry mob, who lynched two of the teens, in a powerful true account that delves into race, justice, ...
The definitive account of one of American history’s most repellent and most fascinating moments, combining investigative journalism and sweeping social history "Years later, the tale of murder and revenge in Georgia still has the power to ...
Linda Gordon, The Great Arizona Orphan Abduction (Cambridge, MA: Harvard University Press, 1999), 262, 266; ... Charles H. Harris and Louis R. Saddler, The Texas Rangers and the Mexican Revolution: The Bloodiest Decade, ...