In Reconstructing the Native South, Melanie Benson Taylor examines the diverse body of Native American literature in the contemporary U.S. South—literature written by the descendants of tribes who evaded Removal and have maintained ties with their southeastern homelands. In so doing Taylor advances a provocative, even counterintuitive claim: that the U.S. South and its Native American survivors have far more in common than mere geographical proximity. Both cultures have long been haunted by separate histories of loss and nostalgia, Taylor contends, and the moments when those experiences converge in explicit and startling ways have yet to be investigated by scholars. These convergences often bear the scars of protracted colonial antagonism, appropriation, and segregation, and they share preoccupations with land, sovereignty, tradition, dispossession, subjugation, purity, and violence. Taylor poses difficult questions in this work. In the aftermath of Removal and colonial devastation, what remains—for Native and non-Native southerners—to be recovered? Is it acceptable to identify an Indian “lost cause”? Is a deep sense of hybridity and intercultural affiliation the only coherent way forward, both for the New South and for its oldest inhabitants? And in these newly entangled, postcolonial environments, has global capitalism emerged as the new enemy for the twenty-first century? Reconstructing the Native South is a compellingly original work that contributes to conversations in Native American, southern, and transnational American studies.
This book is not, finally, about the recovery of the region's lost Indians, but a reckoning with their inaccessible traces, ambivalent functions, and the shattering implications of their repressed significance for modern southern identity.
Native American literature has always been uniquely embattled. It is marked by divergent opinions about what constitutes authenticity, sovereignty, and even literature.
Gayl Jones, John Lowe, and Valerie Boyd all read the story's ending ultimately as happy, hopeful, even (as Boyd avers) “delightful.” Joe is the only gold Missie May needs, it would seem, and vice versa. It would be lovely to end with ...
Creating Memorials, Building Identities: The Politics of Memory in the Black Atlantic. Liverpool, UK: Liverpool University Press. Savage, Kirk. 2009. Monument Wars: Washington, D.C., the National Mall, and the Transformation of the ...
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... South, ed. Suzanne Disheroon-Green and Lisa Abney. Westport, CT: Greenwood, 2002. 149–57. Mallios, Peter Lancelot ... Reconstructing the Native South: American Indian Literature and the Lost Cause. Athens: University of Georgia Press ...
Faulkner's own commentary, and that of leading historians and critics, will help readers sense the many historical and cultural tributaries converging in this great novel.
... Murder and Martyrdom in Spanish Florida: Don Juan and the Guale Uprising of 1597, Anthropological Papers of the American Museum of Natural History, no. 95 (New York: American Museum of Natural History, 2011), 83–85, map locating the ...
Chronicles the history of the United States from the end of the Civil War through the difficult years of the Reconstruction.
Dylan), and themes from the black freedom struggle to create songs that “dealt with universal themes of ... 2013); on radio during the civil rights movement, see Brian Ward, Radio and the Struggle for Civil Rights in the South ...