This book explores the interface between law and popular culture, two subjects of enormous current importance and influence. Exploring how they affect each other, each chapter discusses a legally themed film or television show, such as Philadelphia or Dead Man Walking, and treats it as both a cultural and a legal text, illustrating how popular culture both constructs our perceptions of law, and changes the way that players in the legal system behave. Written without theoretical jargon, Law and Popular Culture: A Course Book is intended for use in undergraduate or graduate courses and can be taught by anyone who enjoys pop culture and is interested in law.
In this text, more than two dozen law professors from the United States, Canada, and Australia demonstrate how to integrate fiction, poetry, comic books, film, television, music, and other media through the first year curriculum ...
... drawings and children's doodles, maps, technical drawings, photography, and CD-ROMs: C. May op. cit. n 26, pp. ... 417, argues against what he calls a technological determinist reading of copyright development: '[C]opyright owes as ...
As a historical matter , one may trace the art of litigation public relations to the genius of two criminal defendants , Abbie Hoffman and Jerry Rubin , who were members of the so - called " Chicago Seven . " Rubin and Hoffman were ...
This new Second Edition of Law and Popular Culture: Text, Notes, and Questions maintains the most appreciated features of the First Edition published in 2007.
Most research on law on television and in film has consisted of reading a single television program or film to describe the portrayal of various legal actors; see, for example, Asimow, Lawyers in Your Living Room!;
This volume shows how university and college professors can create an engaging environment that encourages students to take a deep approach to learning through the use of popular culture stories in law school and in criminal justice ...
Drawing upon theories of critical legal pluralism and psychological theories of narrative identity, this book argues for an understanding of popular culture as legal authority, unmediated by translation into state law.
This volume brings together a range of global scholars to refl ect on and critically engage with the place of law and justice in Japan’s popular cultural legacy.
Sherwin, Richard. When the Law Goes Pop: The Vanishing Line Between Law and Popular Culture. Chicago: University of Chicago Press, 2000. Simpson, Gerry, and Hilary Charlesworth. “Objecting to Objectivity: The Radical Challenge to Legal ...
Moving beyond the ‘law ands’ (literature, humanities, culture, film, visual and aesthetics) on which it is based, this book demonstrates how the techniques and practices of cultural legal studies can be used to metamorphose law and the ...