Imago Triumphalis: The Function and Significance of Triumphal Imagery for Renaissance Rulers examines how independent rulers in fifteenth-century Italy used the motif of the Roman triumph for self-aggrandizement and personal expression. Triumphal imagery, replete with connotations of victory and splendor, was recognized during the Renaissance as a reflection of the glory of classical antiquity. Its appeal as a powerful visual bearer of meaning is evidenced by its appearance as a dominant theme in literature, architecture, and art. Rulers such as Alfonso of Aragon, Federico da Montefeltro, Sigismondo Malatesta, and Borso d'Este chose to incorporate the triumphal motif in major artistic commissions in which they were represented. They recognized that the image of the triumph could retain its classical associations while functioning as a highly personalized commentary.
... Imago Triumphalis: The Function and Significance of Triumphal Imagery for Italian Renaissance Rulers (New York, 2004), 27. 41 Zaho, Imago Triumphalis, 92–93. 42 On the Jewish objects in the shrine of San Giovanni in Laterano, see ...
... Imago Triumphalis: The Function and Significance of Triumphal Imagery for Italian Renaissance Rulers (New York: Peter Lang Publishing, 2004), pp. 49–64. 53. Ibid., pp. 65–82. 54. On historiographical projects fostered at the Congress ...
... imago triumphalis,10 and triumphal garb, ornatus triumphalis,11 were also a vital part of elite funerary practice, donned by actors who emulated a deceased triumphal general for his and subsequent familial funeral processions, pompae ...
Emperors also bestowed prestigious titles such as 'count' (Graf) and 'prince' (Fürst), the latter the highest noble ... 32, 70, 106-7; Duindam, Vienna and Versailles, 282-88; and Thomas Winkelbauer, Fürst und Fürstendiener: Gundaker von ...
... Triumph. Leiden: Brill. Virilio, Paul. 1991. The Lost Dimension, trans. Daniel Moshenberg. New York: Semiotext(e). Virilio ... Imago Triumphalis: The Function and Significance of Triumphal Imagery for Italian Renaissance Rulers. New York ...
This volume proceeds from a brief discussion of the ancient concept to a detailed examination of the way in which fama has been personified in ancient and medieval literature and in European figurative art between the end of the fourteenth ...
... Imago Triumphalis Tituli vivificae Crucis D.N. Iesu Christi qualis hodie Romae apud Cistercien. intra Basilicam S. Crucis in Ierusalem seu intra Capellam S.um Reliquiarum conspicitur: cujus Tituli veritatem atque Inventionem 98. Jacob ...
One gateway to such problems is the famous book entitled What Is History? by E. H. Carr, a historian of Soviet Russia, comprising his 1961 G. M. Trevelyan lectures at Cambridge University. Because of its lively style, compact size, ...
... Imago Triumphalis : The Function and Significance of Triumphal Imagery for Italian Renaissance Rulers , New York / Oxford . 4 Innovation and Fusion: Sarbiewski's Theory of Baroque Literary Style.
This is the first comprehensive study of the reception of classical architecture in different regions of the world.