Sport films have been central to American cinema, playing an increasingly important role in the communication of a commonsense understanding of race, gender, class, history, and social relations. Oddly, scholars have neglected sport films and their significance. Offering a comparative, theoretically grounded, and interdisciplinary approach, Visual Economies of/in Motion marks a novel and important point of departure in sport studies and cultural studies. It brings together a dozen essays on feature films and documentaries to probe the articulation of ideologies and identities, play and power, and sporting worlds and social fields. -- Amazon.com.
I Wish it Were True: A Collaborative Project
This is a study of the cinematic traditions and film practices in the black Diaspora.
In The Film Art of Isaac Julien , by David Deitcher and Isaac Julien , with contributions from Amanda Cruz , edited by David Frankel 103–10 . Annandale - on - Hudson , NY : Center for Cultural Studies . Kandé , Sylvie . 1998.
The history, roots, characteristics, and themes of the black film genre are illuminated in analyses of six films including The Scar of Shame, The St. Louis Blues, and Sweet Sweetback's Baadasssss Song
Black Film As Genre
But is the film racist? Disney historian Jim Korkis does not think so. Korkis examines the film from concept to controversy, and reveals the politics that nearly scuttled the project.
1977. Facing Up to Modernity: Excursions in Society, Politics, and Religion. New York: Basic Books. ———. 1979. The Heretical Imperative: Contemporary Possibilities of Religious Affirmation. Garden City, NY: Anchor Press/Doubleday. ———.
This book examines how Hollywood has promoted the myth of the American White male savior and the way in which this myth has negatively affected people of color throughout U.S. history.
Black Representation in American Animated Short Films, 1928-1954
This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema.