Presenting the most compelling explanation yet for the bizarre nature of the Black Dahlia murder, this volume includes never-before published crime-scene photographs and links the alleged killer to a vast array of influential people.
Exquisite Corpse confirms Brite as a writer who defies categorization. It is a novel for those who dare trespass where the sacred and profane become one.
Murder is a work of art.
Werner HEISENBERG I. A VERY BRIGHT LIGHT Webb's penetrating ray illumines the classical , architecture and mechanics . Its heat “ cooks ” the dimensions of the little temple to a boil of perfection , to a grill of order , to a degree of ...
Twins Joe and Nancy were raised in a circus but on their eleventh birthday they learn their parents are still alive and need their help, so they set out on an quest filled with many extraordinary beings and adventures.
Zoe unwittingly stumbles into the literary scandal of the century when she befriends an author who faked his death years before in order to make money selling his new works as lost manuscripts.
Set in London, Paris, and Munich in the 1940s and 1950s, Exquisite Corpse is, like Irwin’s cult classic, The Arabian Nightmare, a novel about the strange and ever-morphing powers of the imagination.
(1967), with Claude Pélieu and Carl Weissner; and Brion Gysin Let the Mice In (1973), with Brion Gysin. 27. Gysin in Wilson, Here to Go, 184. 28. Burroughs, “Fold-ins,” in The Third Mind, 96. 29. Grauerholz, 120. 30.
Sorkin’s intervetions range from the development scandals of New York where ‘skyscrapers stand at the intersection between grid and greed’, through the deconstructivist architectural culture of Los Angeles, to the work and ideas of ...
Addresses this central question: if race has been settled as a legal or social construction and not as biological fact, why do Asian American artists, authors, and performers continue to scrutinize their body parts?
With the alchemist August Nordenskiöld (17-54-1792) as a starting point, artists Goldin+Senneby initiate a series of essays, each responding to the preceeding essay only.